Play
Prev
Next

New Video From Upcoming Album By [ Overhead, The Albatross ].

Exquisite “AMBIENT” Outfit [ Words Are Meaningless ] New EP [ Inanimate ] Out Now!!!

Latest Release On [ OXIDE-TONES ] Title “Pioneers Of Spaceflight” By [ Late Night Venture ].

[ Memphis, TN ] Instrumental, Post-rock Outfit [ Glorie ] Self Title Available For FREE On [ GlorieRock.COM ]

Post-rock / Shoegaze Outfit [ Portfolio ] Latest Release [ We | Humans ] Available On BandCamp.

[ Nothing Important Happened Today ] Dubut Album [ Il Giorno Della Tempesta ] Available On BandCamp

T.N.G.E. With “Lynch kingsley” [ The Silent Light [ EP ] Available For FREE

Post-prog / Experimental-jazz Outfit [ BRIAN! ] Latest Title [ I ] Available On BandCamp

Experimental Outfit In Vein Of Of GYBE! [ Line Gate ] Debut Title [ Split Lines ] Out Now!!!

Pre-Order [ Labirinto Split ThisQuietarmy ] Today!

Radio Etiopia A [ Portugal ] Podcast INTERNET Radio.

New Release By [ 6LA8 ] Title [ The Last Strands of Fortitude ] Available On BandCamp

Latest Release From [ Rob Auclr ] Title [ Rubicon ] Out Now!!!

2nd LP by [ Drunk Robots ] Title [ Aftermath ] Available On BandCamp

ELUVIUM

Highly anticipated and long-overdue, Life Through Bombardment collects virtually every Eluvium song ever released (plus a bunch of rare and unreleased non-album tracks) into one stunning 7xLP set, all on vinyl for the first and only time. Each record is packaged in its own full-color jacket, featuring exquisite new artwork from Jeannie Lynn Paske, drawn exclusively for this set. The seven jackets are then bound into a beautiful dark green hardbound, linen-cover book, with metallic gold foil stamping and embossed text on the spine, and a beautiful full-color print embossed into the front cover.

The inside front cover includes a removable old-fashioned library card, complete with personalized signatures from the artists and designers involved in the creation of this package. The final name on the library card will belong to the purchaser, hand-written and dated when purchased. The inside back cover includes a mind-blowing 12×36″ foldout double-sided full-color poster insert, featuring more artwork from Ms. Paske. In addition, each copy of this set will include a unique digital code to download high-quality mp3s of the entire box set collection. This is limited to a one-time pressing of 1,000 copies, pressed onto 100% virgin black vinyl.

————————————————————————————————————————————————————–
< < < < < [ EDIT: 2013 Title [ Nightmare Ending ] Update ]. > > > > >

Perfection is overrated. So thought Matthew Cooper, who began work on Nightmare Ending as a response to his pretty-pretty 2007 success story, Copia. He realised the twinkling piano and soft, smooth drones were, in their own way, a kind of restraint, as he felt confined to only creating music deemed perfect in a beautiful kind of way. Such perfection does tend to get a little dull at times, though this does no discredit to Copia, which rose to the top of the overburdened, “perfect” pile through its deceptive charm and imagination. Nevertheless, Cooper seemed a little bored by it himself. Nightmare Ending was always supposed to be the antithesis to this and, as Copia was the dreamworld, it would retread the same steps -the same styles- in a more sinister light. Beautiful but flawed, and better for it: Nightmare Ending is like returning to Narnia only to find ***’s got real in your absence.

As a result of this, we see the return of familiar elements and formats as the album dodges nimbly between drones and piano. Solo piano pieces are again used as a form of palette cleanser, and it’s with these we see the most immediate difference. They’re surprisingly nondescript for Eluvium: following simple, repetitive progressions in a manner very much in keeping with themselves. Far from attention grabbing pieces, they’re brief gasps of air as the album rises above the weight of itself only to dive back in soon after. The exception in this regard, “Impomptu (For The Procession),” is not too dissimilar, but its sad yet captivating air works more as a set up than anything. Eluvium is quick to sink the mood afterwards.

Cooper’s ambient pieces are -as would be expected from the title alone- a mercilessly twisted take on his previous style. As if to make a point, he’ll often set off a smooth, clear drone only to steadily warp it beyond recognition. He’s very happy to create something beautiful and consciously corrupt it, and it’s this idea which permeates Nightmare Ending from beginning to end. When he isn’t warping something, he’ll play a drone off against distorted noise or randomised fluctuations in texture. In the case of “Covered in Writing,” he allows the imperfections to rise until they completely engulf the initially sweet and isolated piano.

Of course this is Eluvium, so he’s far from going overboard with this. Nightmare Ending is still incredibly accessible and quick to the point. If it were any different it would hardly be an Eluvium release at all: we’re still in Narnia, just a different version of it. In fact, this continued presence of the beauty he tried so hard to escape from does the album credit, since the image of the perfect Narnia is always kept fresh. In its own way Nightmare Ending still maintains the uplifting Eluvium air carried by Cooper into all his works. Here, however, it’s made more interesting by constant fracturing, distortion and disintegration.

You’d have thought he’d have learned by now, but Cooper’s use of vocals in the finale does mark an odd, awkward moment. By luck of the draw the vocalist shares distracting characteristics with Monty Python’s Eric Idle (read: he can’t really sing), and even when sung in a whisper it doesn’t fit with the tracks calm and clear tone. The track itself also seems out of place in the album: with too much sweetness thrown into the mix and repetitions overstaying their welcome somewhat. Presumably it was meant as a comedown, but it betrays Nightmare Ending’s darker sensibilities by returning to a style better suited to Copia.

Despite this, Nightmare Ending is a resounding success for Eluvium. This little fling with imperfection was the edge needed to complete and mature a style once threatening to fall flat, and hopefully it opens up the possibility for similar works in the future. It seems unlikely -given Eluvium’s penchant for jumping between styles on impulse- we will see a direct return to Nightmare Ending, so for now it should be treated as a precious glimpse into the more refined side of an already well established artist. Just no more vocals please, Matt – Narnia shows itself best instrumentally.

< < < < < [ [ MYSPACE ] | [ POST OF THE DAY ] | [ FACEBOOK ] ]. > > > > >
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Nightmare Ending
Release Date – 2013
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping [ EPIC ]

TRACKLIST CD1

1. Don’t Get Any Closer
2. Warm
3. By The Rails
4. Unknown Variation
5. Caroling
6. Sleeper
7. Envenom Mettle

TRACKLIST CD2

1. Chime
2. Rain Gently
3. Impromptu (For The Procession)
4. Covered In Writing
5. Entendre
6. Strange Arrivals
7. Happiness
————————————————————————————————————————————————————–
REMAINING COPIES 223 Eluvium – Nightmare Ending
————————————————————————————————————————————————————–

————————————————————————————————————————————————————–

Artist – Eluvium
Album – The Motion Makes Me Last
Release Date – 2010
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping [ EPIC ]

Tracklist

1 The Motion Makes Me Last 5:26
2 Crash Deconstructed 5:39
3 Remnant Signals 5:06
4 Leaves Eclipse the Light (Nick Zammuto Remix) 3:25
————————————————————————————————————————————————————–
Eluvium – The Motion Makes Me Last
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Static Nocturn [ * * * * * ]
Release Date – 2010
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping [ EPIC ]

Tracklist
1 Static Nocturne 50:08
————————————————————————————————————————————————————–
Eluvium – Static Nocturne
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Lambent Material [ * * * * * ]
Release Date – 2003
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
1 The Unfinished 4:38
2 Under the Water It Glowed 5:09
3 There Wan’t Anything 4:40
4 Zerthis Was a Shivering Human Image 15:35
5 I Am So Much More Me That You Are Perfectly You 5:49
————————————————————————————————————————————————————–
Eluvium – Lambent Material
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Copia [ * * * * * ]
Release Date – 2007
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
01 Amreik 3:18
02 Indoor Swimming at the Space Station 10:29
03 Seeing You Off the Edges 5:03
04 Prelude for Time Feelers 5:48
05 Requiem on Frankfort Ave. 2:41
06 Radio Ballet 3:12
07 (Intermission) 0:50
08 After Nature 1:51
09 Reciting the Airships 4:35
10 Ostinato 6:08
11 Hymn #1 1:32
12 Repose in Blue 9:18
————————————————————————————————————————————————————–
Eluvium – Copia
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Live In Sweden [ * * * * * ]
Release Date – ???
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
01 Under the Water it Glowed _ After Nature
02 Radio Ballet
03 Taken
04 An Accidental Memory In the Case of Death
05 Repose in Blue
————————————————————————————————————————————————————–
Eluvium – Live In Sweden
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Unreleased Tracks [ * * * * * ]
Release Date – ???
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
01 – Etude de Multiples
02 – Thoughts for Johann Pachelbel
————————————————————————————————————————————————————–
Eluvium – Unreleased Tracks
————————————————————————————————————————————————————–

Artist – Eluvium
Album – When I Live By The Garden And The Sea [ * * * * * ]
Release Date – ???
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
1. I Will Not Forget That I Have Forgotten
2. As I Drift Off
3. All the Sails
4. When I Live by the Garden and the Sea
————————————————————————————————————————————————————–
Eluvium – When I Live By The Garden And The Sea
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Travel In Constants [ Vol 20 ] [ * * * * * ]
Release Date – 2005
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
01 Behind Your Trouble [ 33:19 ]
————————————————————————————————————————————————————–
Eluvium – Travel In Constants [ Vol.20 ]
————————————————————————————————————————————————————–

Artist – Eluvium
Album – An Accidental Memory in the Case of Death [ * * * * * ]
Release Date – 2004
Genre – Mod-classical, Neo-classical, Ambient, Piano

Tracklist
1 An Accidental Memory 1:11
2 Genius and the Thieves 2:26
3 Perfect Neglect in a Field of Statues 5:25
4 Nepenthe 3:42
5 In a Sense 1:45
6 The Well-Meaning Professor 7:34
7 An Accidental Memory in the Case of Death 4:23
————————————————————————————————————————————————————–
Eluvium – An Accidental Memory in the Case of Death
————————————————————————————————————————————————————–

Artist – Eluvium
Album – Smilies [ * * * * * ]
Release Date – 2010
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
1 Leaves Eclipse the Light
2 The Motion Makes Me Last
3 In Culmination (feat. Andy Lopez)
4 Weird Creatures
5 Nightmare 5 (feat. Andy Lopez)
6 Making Up Minds
7 Bending Dream
8 Cease to Know
————————————————————————————————————————————————————–
Eluvium – Smilies Password – SirensSound.blogspot.com
————————————————————————————————————————————————————–

Artist – ELUVIUM
Album – Life Through Bombardment [ * * * * * ]
Release Date – 2009
Genre – Minimal, Ambient, Instrumental, Post-rock, Electronica, Experimental, Soundscaping

Tracklist
SIDE A:
1. The Unfinished
2. Under The Water It Glowed
3. There Wasn’t Anything

SIDE B:
1. Zerthis Was A Shivering Human Image
2. I Am So Much More Me That You Are Perfectly You

SIDE C:
1. An Accidental Memory
2. Genius And The Thieves
3. Perfect Neglect In A Field Of Statues
4. Nepenthe

SIDE D:
1. In A Sense
2. The Well-Meaning Professor
3. An Accidental Memory In The Case Of Death

SIDE E:
1. New Animals From The Air
2. Show Us Our Homes
3. Area 41

SIDE F:
1. Everything To Come
2. Calm Of The Cast-Light Cloud

SIDE G:
1. Taken
2. We Say Goodbye To Ourselves

SIDE H:
1. One
2. Swallows In The Bath

SIDE I:
1. I Will Not Forget That I Have Forgotten
2. As I Drift Off
3. All The Sails
4. When I Live By The Garden And The Sea

SIDE J:
1. Untitled (For Piano)
2. Untitled (For Orchestra)
3. Untitled (For Rhodes And Tape)
4. Carousel

SIDE K:
1. Amreik
2. Indoor Swimming At The Space Station
3. Seeing You Off The Edges

SIDE L:
1. Prelude For Time Feelers
2. Requiem On Frankfort Ave.
3. Radio Ballet
4. (Intermission)

SIDE M:
1. After Nature
2. Reciting The Airships
3. Ostinato

SIDE N:
1. Hymn #1
2. Repose In Blue

————————————————————————————————————————————————————–
ELUVIUM – Life Through Bombardment
————————————————————————————————————————————————————–
Andrei Machado ~ Brael and Tokyo Bloodworm ~ Matthew Robert Cooper ~ Simeon ten Holt ~ Bersarin Quartett
————————————————————————————————————————————————————–

Tags: , , , , , , , , , , ,

This entry was posted on Wednesday, May 8th, 2013 at 3:14 pm and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Leave a Reply

You must be logged in to post a comment.