2017-09-08 05:09:46 UTC
These are truly the last days are a band born from the dust that blows through silicon valley - their music the same particulate mélange of grit and silica, glitter and plastic, dead cells and dropped packets. Not yet famous enough to be reclusive, they bide their time on windy shores, writing music and counting ghosts.
- 1 The skyline was beautiful on fire
- 2 Is that your personal narrative?
- 3 Your thoughts are powered by stardust, too
- 4 The precipice of a lie
- 5 Yes, let's
- 6 All tomorrow's party rounds
- 7 Gardens, we hope
- 8 Think, my friend
- 9The moral high ground, part 1
- 10 The moral high ground, part 2
- 11 Habits don't help here
postrock), electronic, ambient
2017-09-06 05:31:51 UTC
Wil Bolton is a London-based artist and musician, whose work uses guitars, acoustic instruments, vintage keyboards and effects to create warm and emotive melodies, fragmented and submerged among beds of droning ambient textures and environmental sounds. He has released albums on labels including Hibernate, Time Released Sound, Eilean, Home Normal, Dauw, Dronarivm and Fluid Audio. He has also shown his sound and video works in exhibitions at ICA, Incheon Art Platform, Liverpool Biennial and others, and has performed at venues including Cafe Oto, Tate Liverpool and I'Klectik Art Lab.
'"Night Paths' is an album of dreamy ambience inspired by reveries of moonlit summer nights, walking aimlessly through forest paths. Made with a refined instrumental palette of electric guitar, analogue synthesizers and looper pedals, asynchronous loops and layers merge and collide in hypnotic lulling repetitions. An array of stomp box effects and crackling amp noise blur and disrupt these tones. Swathes of gauzy reverb and woozy delays and chorusing effects evoke daydreams and soft-focus memories."
- Yesterday's Clouds - 07:10
- A Garden, Lost - 03:36
- Night Paths - 04:38
- Parasols - 03:32
- Glint - 04:56
- One Summer - 08:04
- Single Coil - 06:52
2017-09-06 05:21:30 UTC
Airships on the Water is an instrumental post rock band from Fayetteville, AR, USA, formed by multi-instrumentalist Russel Hensley. Hensley, who plays drums for the math rock band Take Shapes, started the project as a way to experiment with and expand on a backlog of keyboard riffs and drum parts he had written.
Drawing inspiration from the infectious hooks of El Ten Eleven, the emotional power of Explosions in the Sky, and the rhythmic complexity of Japanese post rockers Toe, Hensley started writing and overdubbing new parts to flesh out the sound of his existing arrangements. He carefully layered beautiful keyboard melodies, bass guitar hooks, intricate drum patterns, and rich synth textures onto these skeletal arrangements, shaping them into catchy instrumental post rock songs. Bit by bit, a chilled out sound with subtle math rock influences emerged, and Beneath a Thousand Branches was born.
- Recover Your Tracks - 06:05
- When You're Caught - 04:54
- Almost Found - 03:39
- Both Fingers Wrapped - 05:32
- Where the Vessels Meet - 03:41
- Midair - 05:02
- Bloom Beneath the Branches - 07:03
- Alpine Blankets - 05:07
experimental, indie, instrumental, post-rock, math, postrock
2017-09-06 05:04:35 UTC
Serene spellbinding worlds come together on the glistening waves of Shall Remain Nameless’s self-titled effort. Quite pastoral in its efforts the way the many layers converge into a singular whole feels deeply satisfying. Field recordings permeate the entirety of the album for the way they seem to simply immerse the listener in such a wild jungle of recordings feels positively liberating.
Drones remain equally important as Shall Remain Nameless touches upon some of Stars of the Lid’s more elegant, less-feedback laden later works. Classical helps to frame every piece for the songs resembles suites in a greater symphony.
“Forest Fly” carries the listener to a tranquil, exotic rain forest, inhabited by tropical wildlife. The inclusion of an enigmatically soothing sitar suggests that we are perhaps accompanied by an imaginary, mysteriously wise sherpa as our guide, giving the track a relaxed, melodic warmth.
Seamlessly shifting to the celestially- inspired “Sunshine In a Blackout”, subtle changes in this ambient orchestral production are somehow simultaneously glacial and emotionally uplifting.
Meanwhile ,“Uneven Terrain Pt 1” as its title suggests, leads the audience down a murky musical path as sinister whispers from dark forces fill the air in this curiously lurid nightmare. The resulting creation is dark ambience at its best.
The twisted nostalgia of “Coney Island Sideshow” presents an electronically intricate, if unsettling centerpiece for the album. The contrast of hypnotic sonic chattering and vocal snippets of family fun at the fair ground requires repeat listens to appreciate its many nuances.
As the album comes to a close “The Fear” reintroduces earlier themes; wide open musical landscapes, floating ambient melodies and electronica are all enhanced by selective samples of the human voice.
The artists influences : The Future Sound Of London,The Orb, Ambient music from the early 90's.
- 1.Forest Fly
- 2.Sunshine In A Blackout
- 3.Uneven Terrain (Pt.1) 04:05
- 4.Coney Island Sideshow 04:58
- 5 Life In Any Form 02:17
- 6.Downward Stream
- 7.The Lone Guitarist
- 8.Secret Liaison
- 9.The Fear
- 10.Ground Floor // Uneven Terrain (Pt.2)
ambient, electronic, experimental, chill, downtempo, space
2017-09-01 06:10:29 UTC
A lil amuse bouche to prep your palate for Chuck N Lock's "Just Desserts", set to drop 9/5/17. This track features Hip Hop heavyweight, Skyzoo, who's recently released a tape called, Peddler's Theme. Smooth cadences riding a funky backdrop are layered with clever lines for the listener's enjoyment.