2017-10-31 23:49:28 UTC
Hellenica fuses dark ambient type instrumentals with elements of drone, doom, chant and spaghetti – western guitar melodies.
A 3 song EP They Are Out For Blood was released in March of 2012. It was followed by a full length album Blood Moon Wolf Head in November of 2014. The most recent album Forms was released in April of 2016 via Montréal label Jeunesse Cosmique. After the release of Forms Hellenica toured Europe in November 2016 performing in Germany, Czech Rep., and Netherlands.
Jim Demos grew up in the west-end’s industrial part of Winnipeg among rusted train yards and crumbling storage facilities. Aside from the years of searching out obscure metal albums as a kid, he later became interested in the Chicago, San Diego, Chapel Hill music scenes, shoe-gazer bands of the early 90’s, and the kraut-rock/experimental scene of the 70’s. Even though these styles could be heard in earlier projects, an ethnic influence was always present in his writing. When a child, his family would visit the Greek orthodox church on special occasions where he first heard the greek orthodox choir. Later on Jim became interested in spaghetti-western films and their soundtracks, and has taken these two influences as a canvas to work off of.
His past projects and collaborations include guitarist/vocals/writer in the noise rock band Ham, bass/writer in shoe-gazer band National Monument and guitarist/writer in Gothic western band The Dead Letters. Jim is also co-writer in the Golden Tombs.
Exploring the depths of 70's and 80's sci-fi soundtracks, Scraps, notes and ideas fused together to create a soundtrack to a fictional sci-film entitled: Land of no Return. This album was recorded digitally then mastered through a 1970's DENON 5L-40 REEL TO REEL TAPE MACHINE found in an antique shop in Sainte Anne-de-Bellevue, Quebec. Instruments used were: Various midi instruments, a Fender bass guitar, samples, Roland SH2000 synth, guitar drones, ebo, Sampletron.
- Delayed Prisms - 02:38
- The Wall Beyond Dreams - 03:07
- Fruits of Fire - 02:34
- Mirage Alpha - 02:54
- Wastelands Theme - 01:28
- The Spies Have Died - 04:06
experimental, midi, post, apocalyptic, soundtrack, synths, techn-noir
2017-10-31 04:31:49 UTC
The Belgian post-metal/drone band Charnia consists of Diederik Van Eetvelde (bass) , J.J. Pieterse (vocals, guitar), Seppe Batens (drums), Thibaud Meiresone-Keppens (vocals, guitar).
After the release of ‘Dageraad’ in 2014, the band didn’t exactly sit still. They have started to write on a whole new piece, which would crystalize into ‘Het Laatste Licht’. Departing from their post-metal debut, the band has been working on subtler droney and ambient layers of music. Charnia has brought this piece of music as a work in progress on several occasions, perfecting the album every step along the way. The time is finally here to unveil this remarkable piece of music. The music unravels organically, interweaving hauntingly beautiful melodies and soundscapes, aided by the expert musicianship of Jens Debacker (violin) and Innerwoud (double bass).
ambient, doom, drone
2017-10-31 04:27:00 UTC
"Twigs" is the new single from Pittsburgh-based folk-pop artist Alex Stanton (townsppl).
The track comes via Alex's forthcoming full-length of the same name, out on 11/10. On the track, Alex describes it as "about the experience of being a kid and how being carefree is a skill. It’s about how as an adult being lost or outside of your comfort zone maybe feels like a bigger deal than it should. There is a thread throughout the album about characters being dragged kicking and screaming into adulthood, as well as a bit of a future dystopian backdrop."
townsppl is Alex Stanton’s performing and recording music project, a folk-pop venture with imaginative lyrics and song concepts. A keen multi-instrumentalist, Alex works with crap parlor guitars, '60s 2-knob tube amplifiers, Chinese and American ukuleli, his grandmother’s upright bass, an open piano that he describes as “intune-ish”, found percussion implements (he’s particularly interested in those that go “kssh” or “doonnmm”) and plenty of layered voices.
An entrepreneur and lifelong inventor, Alex builds his songs like little contraptions, tinkering to find the right balances of wood and wires, and of polish and scuff. While the dressings vary from the ornate to the austere, Alex’s north star is melody, especially those that are simple, relatable, and memorable. The words are at once earnest and wry with subjects include stargazing existential pondering, out-of-body vignettes and microscopic love songs to Alex’s sweet one.
Come show time Alex performs with 0-10 other people including backup singers and some tangly and dynamic vocal arrangements. townsppl has performed at the Three Rivers Arts Festival, South Park Amphitheatre and a number of other official and DIY spaces in Alex’s hometown of Pittsburgh. 2013’s care and feeding cracked the top 3 of WYEP 91.3’s top local albums list and was acclaimed for it’s state of the art hand assembled packaging, which could be cut and folded into a 14” venus fly trap sculpture (if you’re willing to cut the CD in half).
Alex is also the owner and founder of Sunburst School of Music, which since 2011 has helped thousands of kids and adults in the Pittsburgh area discover their passion for music.
2017-10-30 16:23:58 UTC
Living out of a suitcase can be lonely, exciting, and mysterious all at the same time.Jade The Moon's new song “Hotels” was partially inspired by Quentin Tarantino's 4 ROOMS and the band’s real world experiences with life on the road. In writing this new single the band hoped to capture the psyche of the traveling artist that welcomes the feeling of the unknown and undone.
There's a thrill in chasing archaic moments in foreign spaces. More often than not this is where we find our inspiration.
Hotels” is from their upcoming album 11:11 which is set for release early 2018. It’s a collection of tracks best described as musical photographs. A moment in time turned dance party, true story turned love song, a daydream turned erie alt-pop lullaby.
"We hope to take the audience on an emotional roller coaster, these new songs truly reflect our stories. Although very personal and coming from very different places, our collective experiences feel somewhat universal."
2017-10-30 05:48:48 UTC
Major Love was conceived in the lamplight of London’s Bedroom Bar, in the late spring of 2015. Canadian recording artists Colleen Brown and Scenic Route To Alaska each had wrapped their first tours in Germany and the UK, promoting separate album releases. They found themselves on the same dimly lit stage in Shoreditch, 7000 kms from their home-town of Edmonton, bonding over an appreciation of vintage Harmony guitars, singalong pop/rock anthems and an affinity for the spacious, soulful recordings released on the Stax and Motown labels in the 1960’s.
Their debut album was tracked live off the floor a month later, during a summer heatwave in Edmonton’s True North Studios with Jesse Northey (Jesse and the Dandelions) on faders and keys. Contributions from multi-instrumentalist Elijah Abrams followed, with mixes and co-production by Toronto-based pedal steel guru Aaron Goldstein, along with Kenneth Meehan (Daniel Romano) and the singalong single ‘So Good’ mixed by Brooklyn’s prodigious hit-makers Gus van Go and Werner F.
Two songs from this album have already been lauded for their song-craft. ‘Motherland’ - written essentially as a love letter to Alberta - won a province wide songwriting contest in 2015 through the ATB All Albertan Songwriting Competition, to the tune of $10,000; and the powerful ballad ‘I Love All Of You’ was a finalist in the Unsigned Only International Songwriting Competition for 2017.
These songs thrive at the intersection between Brown’s resonant vocal expression and SRTA’s spirited swagger. It is music to move body and soul.
"Our new single “Tear It Down” explores the question - is there beauty in destruction? The inspiration came after a senior’s residence in Edmonton suffered two explosions in 2011. Two people died because of the explosions - a murder/suicide. It happened across the street from Colleen (our singer) and it took about 3 years until the building finally underwent renewal, during which she had the privilege of watching it being gutted, rebuilt, and furnished. She wrote the song on a sunny spring day as she contemplated the strange disparity between the tradesmen’s jobs and her work as a musician. The song comes from our self titled debut LP which we’ll be releasing early next year. We tracked the album live off the floor in Edmonton during a summer heatwave in 2015 (with a few overdubs in Toronto throughout 2016/17) and are excited to be able to share it with you all now."
indie, hip-hop, rap