Blair Coron is a musician and composer residing in Glasgow, Scotland, blending the borders between contemporary classical music, ambience, flourishes of electronics, folk and poetry and with the aid of a string ensemble his primary intention is to create enchanting atmospheres that sets course for introspection.
When he is not performing with the band, he regularly collaborates and composes for those in the other arts with a keen interest in how the arts can be translated between one another. Currently he is scoring the soundtrack to a play by Andrew Edwards (winner of the Roxy Theatre award), which will be performed throughout the whole of the Edinburgh Fringe Festival.
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
Whalezord was born in Silesia region, Poland, in early 2016, originally as a trio. Until the late 2016 few songs were written and then the band had to decide about their direction and pick up a vocalist for the project. More screaming / growling approach was chosen and thus Whalezord started it's life as a real band, writing more and more material.
Remaining loyal to their hard-core and even punk origins, Whalezord members pick passion over anything else, mixing genres and following the path of continuous deconstruction. Deconstruction here is regarded as a tendency to dissect and dissolve parts of songs, adding not obvious influences and staying focused more on the flow than on a form.
Surfacing EP is the first release of Whalezord, containing three different songs to reflect various inspirations and flows. On Surfacing EP you can find three poems, sang and played with an individual flavour, reflecting band's attitude to art, poetry and immerse experience that reading poems whilst listening to music is for its members. All Whalezord's songs are inspired by poetry and contain poems instead of lyrics. Surfacing EP is no different and you can find following poems here:
1. Passing - Wisława Szymborska (Polish poet) - Cat in an empty apartment
2. Shore - Pablo Neruda (Chilean poet) - Here I love you
3. Surfacing, part I - Lewis Caroll (English poet) - Dreamland
Ideomotor is an electropop/indietronica duo formed in 2014 hailing from Helsinki, Finland. Taking flavourful aspects of rock, pop, indie & electro -music, Ideomotor is pushing the boundaries of genres. Influences of 80s synthpop, 90s rock and modern sounds translate into tunes that range from sweet melodic to the dark & haunting corners of electro-infused pop and rock. Ideomotor was a long time in the making as Erkka and Kimmo had talked about a common music project on numerous occasions over the years. However, it took a while and vocalist Kimmo to move to Zurich, Switzerland before things started to fall into place and the first demos came together. The duo quickly secured the services of a highly regarded production team and was locked in a studio by summer sharing songwriting duties and instruments. Their debut EP For A Moment We Are Strangers was released in March 2015, and that was followed by single Amplified / When We Begin the same summer.
"Do It Again" is the first track from their upcoming album release. The song is about looking back, but for them, it’s paving the way to the only possible future.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.