Pacific Loon is an artistic project by Francesco Busiello born in 2013.
First of all he’s a member/composer of Starframes, later he focused on cinematics, field recording and visuals. His first ep “Growth”, was born after an accidental meeting between himself and Leana Pizzoferrato, music inspired by her images to analyze aspects such as the rise and fall of humain being. In September 2016 he was selected to compose a soundtrack for Artemisia Gentileschi masterpiece “Giuditta che decapita Oloferne” at Museo di Capodimonte in Naples. He had been always fascinated by the city, so then he decided to start doin’ mini concept records.
"It was darker, then lighter, till it was all drowned in splendor" it's a concept record based in Naples, it goes through esoteric and hidden places of my hometown. Every places got his own music composition, supported by minimal static videos; I did also experience some rough field recording, to make it part of music composition: I wanted to make a "low-fi" record, I didn't look for perfect sounding, cause it's reflects how the city lives. I've been always fascinated by light in Naples, warmer and delicate in spring, iced and cruel in winter, so that's where the title comes from. EP starts with big reverb and dark mood of "Piscina Mirabilis", a big cistern built by Romans, to end with "Santa Maria Della Fede(to wane without disparagement)" set in an old cemetery, one of the most brightest day of my life."
Piscina Mirabilis - 02:52 info
Oh, Vergilius - 03:12 info
Botanique - 04:45 info
San Felice - 04:26 info
Santa Maria Della Fede (to wane without disparagement) - 03:19 info
"Heard U Say" is a song roughly about human artifice and social constructionism," Rory explains. "There was something about the riff (which came first) that made me think about the ways in which we try to convince ourselves that we have figured out what it is we're supposed to be doing with our time, and our predisposition to rationalize all aspects of our lives. This recording also features a cowbell, which post-SNL sketch usually gets associated with Blue Oyster Cult, but the inspiration here was Queens of the Stone Age's "Little Sister"."
In mid to late 2005, McVicar's demo received heavy rotation on the BBC Radio 1 Onemusic shows, helmed by Huw Stephens and Rob da Bank. This led to an appearance at In The City in Manchester, as part of Radio 1 Unsigned; as well as the recording of a live Maida Vale session for the show. The track 'Little One', which was the first song on the CD-R, clocked in at number 20 in the traditional end of year Festive Fifty countdown.
McVicar's first release was a split 7" single on HowlbackHum with electronic artist Hoofus, featuring the song "Hide Yrself". Another single, this time on NRone records, called "The Things You Do" followed shortly thereafter.
In November 2007, McVicar released his self-titled debut album on the Series 8 label. The album picked up favourable reviews across the British music press, with singles "Now That You're Mine" and "No More Do I Care" getting airplay across the dial.
Subsequent tours followed, including festival appearances in the UK and mainland Europe, as well as support slots for Josh T. Pearson, Bat For Lashes and Jason Molina. McVicar went on to play guitar on the first solo album released by Nat Johnson, entitled 'Roman Radio' and Emma Kupa's debut EP "Home Cinema".
In February 2010, McVicar released his second album, 'Another Sleepless Night' on his own Lonesome Goodnight Recordings label. The album was released digitally, as well as on heavy-weight vinyl, via http://rorymcvicar.co.uk/
Presently, McVicar is putting the finishing touches to his third album, to be released in 2017, following the release of the Toothache/Alone I'll Be 7" on Static Caravan records in 2016.
There is a neighborhood tucked away in the eastern hills of Cincinnati called Silverton where two local hip-hop heavyweights hail. CITOAK and Kyle David may have emerged from separate rap clans as they rose through the proverbial ranks (Watusi Tribe, Five Deez), but fate within the Queen City is always but a sliver away and eventually brought the two lyrical forces together to form the appropriately named Sons of Silverton.
Now officially together as the Sons of Silverton, the duo has created their debut crown jewel, Or Forever Hold Your Peace. The full-length LP expected to drop in May 2017, highlights the personal and lyrical chemistry the two men share as rappers and as friends. Their complimentary styles blend seamlessly over the polished and steely beats of acclaimed New Orleans producer Prospek. Wisdom, reality and though-provoking word play drips from every track on the album as the thumpy kicks and ethereal musical tones of the beats combine to reside in the mind of the listener from the moment it's first heard.
Veteran contributing artists like Cincinnati rapper great Piakhan, jazz pianist Josh Jessen, bassist Jake Hellman (the Quiet Hollers), guitarist Chris Pennington (The Cliftones) and singer Dion Jenkins (Game, Hi-Tek) raise the production value to even higher heights and perfect the intended goal of a renown and cohesive masterpiece.
The first bite of this hip hop delicacy comes in the form of the single “You Know Them As”, where those with a pallet for such exquisite and refined tastes will surely soon salivate for more. Luckily for them and for the rest of us, the full array will be soon served on a silver platter, delighting ears, nodding heads and permanently marking the Sons of Silverton has a landmark in Cincinnati hip hop legend.
Magdalena Bay is a pop duo comprised of Mica Tenenbaum (songwriting and vocals) and Matthew Lewin (songwriting and production). After being in both a prog-rock band and a relationship together throughout high school, the couple went to college in different states, causing and abrupt end to their musical and romantic relationship. Now, after two years apart, Matthew and Mica are reunited under Magdalena Bay, driven by a passion for creating crafty and electrifying pop music.
"Set Me Off" is a shot of pop adrenaline to the heart, a breakup song that's wistful yet energetic. It pokes fun at the inescapable reminiscing that happens after every breakup.
Some things can't be explained… To understand Synopsys you must listen to their music, feel the pictures, capture the quiet and sustain heaviness. Those atmospheres build themselves on a paradox, shadow & light, the infinitely big & the infinitely small, things to say that we cannot say, the balance & the fall. These unavoidable meetings are translated into as captivating as lightning sounds.
synopsys will release their first full length album « Le temps du rêve » on May 17th 2017. The album will come with a full length film to illustrate it. "A whisper in the evening" is their first title on Bandcamp along with a music video for the title « Leviathan »
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.