This haunting and harrowing epic showcases their mix of post rock, post punk and black metal, and has been collaboratively released by Broken World Media, Close Quarters Coalition and Hybrid Records on the 24th February.
The Romance of Crime - 11:38 Your Beautiful Bones - 11:38
"Somewhere between madness and lack of education, Diablo 2 and adolescent sweat, the mysticism of the big world computer network and the TV attached alone in the living room. From that place in your mind that you do not know invented or The pastime glued to the upper molar and the acidity of Coca-Cola in the depths of his tongue imploding his palate in a fractal of crazy memories and associations and a very secret truth that one day you almost understood and today lives in the Part of your dreams that you no longer remember.
It is from these things that "Which are the True Midnight Monsters?", The first record of the Phantom Sites project, is done. Composed in a solo way by Felipe Soares (Amandinho, 151515) he cuts nostalgias, adds sensations, coexists between opposites and finds in a network of memories that we think are intimate and insurmountable.
The abstract romanticism of the beginning of the millennium, the first generation that grew more inside the internet than it had been and now does not know what to do and that mainly does not know to differentiate the things that believe othe things in itself. Who did not see the end of the world but knew the end of the Polara that is much worse. The profile of your friend who has a child, works, and does not care much more for the internet. It's about this ocean where you came from and now it separates you that this disc speaks.
Phantom sites clandestinely accessed on the computer of their friends' parents. The midnight monsters between unfinished purchases and that message you never answered. Conspiracies, terrorists and the myth of freedom. Now at a young pace.
Joel Porter started playing music at an early age, starting with violin and then moving onto french horn (5th grade), guitar and bass (6th grade), and songwriting in high school. Porter and Eric Hillman (producer + 1/2 the band Foreign Fields) recorded everything on 'Mountain Twin' in the Dark Heart studio by themselves, covering violin, guitar, bass, piano, trumpet, french horn, and vocals, as well as any electronic samples you might hear. the Porter explains that Mountain Twin' EP is about growth. Over the course of four folk-based, painstakingly carefully crafted songs, which include a song he co-wrote with his musician parents, he illustrates the nature, feelings, memories and what it means to seek for the truth. You can easily feel yourself being in the desolate plains, where the snow is falling, the river is flowing and the mountains howling.
Martyn Jackson is a composer and Post-Rock musician from Bristol, UK.
Whilst working on his follow up album to 2013 release "Home", Jackson has been working on numerous other projects such as the score for BBC short film "Leonard's Neighbours. This work is an alternative to his Post-Rock band stylised music, and shows a more minimal approach.
"Still" is an example of this minimal approach. This track was composed especially for Bandcamp supporting the ACLU on Friday the 3rd of February.
We All Die! What A Circus! Is the solo studio project of João Guimarães from Portugal and was created in 2013. It all started with the release of the EP Drowning Gives Meaning To Breath (June, 2013) which consisted of soundscapes (synths, samples, field-recordings) mixed with post-rock and "folk" guitars with a minimalist approach focusing on the atmosphere. The song "Drowning Gives Meaning to Breath" was featured on the RibsOut Compilation 6 and the song "Hold" was featured on the compilation The Best of Portuguese Post-Rock 2013 made by the Portuguese website Planeta Post-Rock.
In September of 2014 the first full-length "Until The Cosmos Takes Me Back"was released featuring more drone elements, intricated guitar-work and a more layered sound, featuring two singles: From India To Gaza I, one of the highlights of the album with a strong guitar-lead dwelling in the air with its simplicity, and Old Village In Space which combines a sense of nostalgia with an eerie slow-pace solo. The album was considered one of the best Portuguese albums of the year by the website Bandcom and the song "Our Dust Turned Into This" was featured on the compilation The Best of Portuguese Post - Rock 2014 by Planeta Post-Rock.
Between 2015 and early 2017 the new self-titled album was recorded expanding the sound of the project with a different concept, including elements of dark jazz, modern classical all warped up by reverb-drenched drone soundscapes and also post-rock guitar featuring drums for the first time.
The album was released on March, 3, 2017. Conceptually it deals with the existential issues of human life, the need for a meaning of life and/or the lack of it; and how time and space wraps our own existence. It was inspired by the thoughts of philosophers and writers like Emil Cioran and Charles Bukowski (his famous poem Bluebird is recited on that song) and is a homage to them. Sound-wise this album makes heavy use of drone synths and field-recordings processed with various effects setting the atmosphere; some elements of dark jazz and classical modern piano; post-rock guitars for the lead melodies and harmonies and a sparse use of drums, mostly downtempo. Some said it resembles Angelo Badalamenti and Bohren & der Club of Gore making post-rock.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.