Tuber grew up in a sunny place, south of Greece, on an island called Crete. They were hiding from the sun, jamming in dark studios and playing their music in rock caves. As they moved north, sounds became lighter, since they started to miss the hot ground. The balance came as a result of smash, dark embraced light and improvisation turned into an effortless and instinctive process. Tuber moved their interest into new forms, founding themselves experimenting with compositions that combine mixed styles and sounds from a different ground. A focus is now on rock aesthetic flirting with psychedelic atmosphere and a touch of romantic mood. At this time Tuber live in Serres, forming their feelings and thoughts into music and words, still learning how to leave with reality and reinventing it with love.
Off the new album 'We Are A Curse', “Neanderthals” is a beautiful piece of songwriting and production from The Dream Eaters, the project of Jake Zavracky and Elizabeth LeBaron (formerly known as ‘Jake and Elizabeth’). Both share vocal duties on this track, in addition to the anthemic choir effect to the chorus, which lends a nice element to the already-soaring hook. With polished production emphasizing the eclectic nature of quality chamber-pop, from the twinkling choir around 02:40 to the infectious percussive stuttering effect in the first verses, “Neanderthals” is an impressive project from a quickly rising duo with heaps of potential.
The Dream Eaters' story began in 2015. After playing clubs with various projects and languishing in obscurity for years in his hometown of Boston and later in New York City, Zavracky decided to stop performing completely. Then, while working as a bartender at a dive bar in Brooklyn. he met LeBaron, another bartender who had just relocated from Vancouver Island, BC. Discovering that they were fellow musicians, they began to collaborate and found an instant connection.
As a composer and producer, Zavracky began writing songs for LeBaron to sing alone but soon found their voices blended together in harmony to create a wholly unique sound. The duo released several singles and EPs under the name Jake and Elizabeth, changing it to The Dream Eaters before the release of their self-produced debut EP 'Five Little Pills'. A bare-bones production that they self-recorded and released, it was a precursor to the sound that is now fully realized on their full-length debut album,' We Are A Curse', which was released on April 14th, 2017.
Perfect for the incoming spring weather, "Stroll on the Promenade" is a fluttering delight from Rory McVicar. Rory McVicar is musician and songwriter currently living in London, UK. In mid-to-late 2005, McVicar's demo received heavy rotation on the BBC Radio 1 Onemusic shows, helmed by Huw Stephens and Rob da Bank. This led to an appearance at In The City in Manchester, as part of Radio 1 Unsigned; as well as the recording of a live Maida Vale session for the show. The track 'Little One', which was the first song on the CD-R, clocked in at number 20 in the traditional end of year Festive Fifty countdown.
McVicar's first release was a split 7" single on HowlbackHum with electronic artist Hoofus, featuring the song "Hide Yrself". Another single, this time on NRone records, called "The Things You Do" followed shortly thereafter.
In November 2007, McVicar released his self-titled debut album on the Series 8 label. The album picked up favorable reviews across the British music press, with singles "Now That You're Mine" and "No More Do I Care" getting airplay across the dial.
Subsequent tours followed, including festival appearances in the UK and mainland Europe, as well as support slots for Josh T. Pearson, Bat For Lashes and Jason Molina. McVicar went on to play guitar on the first solo album released by Nat Johnson, entitled 'Roman Radio' and Emma Kupa's debut EP "Home Cinema".
In February 2010, McVicar released his second album, 'Another Sleepless Night' on his own Lonesome Goodnight Recordings label. The album was released digitally, as well as on heavy-weight vinyl, via McVicar's website.
Presently, McVicar is putting the finishing touches to his third album, to be released in 2017, following the release of the Toothache/Alone I'll Be 7" on Static Caravan records in 2016.
Alex Bent + the Emptiness just released “Vanilla Blue” - his first single/video this year with many more to come leading up to his LP release.
"I decided on the title “Vanilla Blue” several months before I started writing the song. It originally came to me as a description of my appearance, but after running the name by several friends I realized that those two words could be interpreted in many different ways. One friend interpreted the title to mean "a sweet kind of sadness" and it stuck with me. I started working on the song shortly thereafter and wrote it with that meaning in mind."
The song comes from Twin Bandit's new album 'Full Circle', which will be out this summer on Nettwerk Music Group. Twin Bandit is Hannah Walker and Jamie Elliott. Together they bring you an intimate folk songs, with a sheen of pop brilliance.
"At first listen these two songs may seem to be opposites in sound and message but to us, they belong together. Everything Under the Sun was one of our first experiences with Co-writing. We were excited to be in Nashville for the first time and wanted to write a song that expressed our gratitude. A tune for the highway on a sunny day, feeling your freedom, bright eyed and thankful. To Stay is a song that Jamie wrote. A more personal expression of struggle on days when it's hard to get out of bed. It's a reminder to pull yourself up and keep working for the things you hold dear in life. You've got to take the joy with the struggle, we believe that's what life is on about!"
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.