“Blinding Sights (Left Me Cold in the Night)” is off Yellow House's brand new EP, 'A Carnival of Fears', which chronicles the severe juxtaposition of expectation and reality in young adulthood. It is an intimate journey through the first contact with love, alienation, disillusion and politics. Emile van Dango (aka Yellow House) wrote, produced, and performed the album's tracks in his home studio by himself.
Compiled through years of home recording and writing, 'A Carnival of Fears' is an "all scars bared" approach to detailing a young musicians journey from teenage folky, to the fruition of a young man settled firmly in his unique unapologetic vision.
Yellow House is the recording project of Cape Town based singer-songwriter and multi-instrumentalist, Emile van Dango. After years of venturing through the endless genre waves which flood the Cape Town music scene, yet never quite feeling at home, Emile instead opted to dream up his own unique universe.
Yellow House serves as the embodiment of all that Emile could sink his teeth into during his formative years as a young songwriter and producer. Having spent a couple years honing his craft as a folk musician, Yellow House carves out a broader space, a home of artistic experimentation and endless possibility -- a haven which currently exists as the headquarters for Emile’s new dream-pop/psych-soul visions.
"Flowers on the Moon" is more complex that it might seem on the surface. It's not just a dreamy pop song-- it's an invitation to imagine what we can't see. All of these different flowers-- visions, colors, and perspectives-- could exist together like they do in my dreams, but that's a world we have to build ourselves, from the ground up. We need to imagine, first, in order to create.
Based in Albuquerque, New Mexico, REIGHNBEAU is the work of visual and sound artist Bryce Hample. Frequent collaborators include Colleen Johnson (Twig Palace) and Madeline Johnston (Sister Grotto). The act concocts hypnotic tracks that incorporate heavenly, oft-wordless vocal melodies with swelling layers of melodic beauty for a very gripping effect. Middle Boop Mag described the sound as one that "shift and sift like sand between fingers - sinking through with an odd satisfaction and surreal beauty as you interact with thousands of grains of ancient earth and animals, ground into silt after billions of years."
REIGHNBEAU's new EP, Hide, was created alongside Madeline Johnston, who has been a longtime collaborator for several years. In the past two years, Johnston and Hample have performed live and toured together as REIGHNBEAU. Johnson's own project, Sister Grotto, has a new album coming out this year as well (Midwife). Her vocals feature throughout Hide, and the track "I Want Love" specifically is comprised almost entirely of her voice. The duo of REIGHNBEAU will be touring this fall.
As for the EP's self-titled track, Hample explains that - much like most tracks on the release - the song starts with human voice samples. "The title track started with my voice (me recording while improvising in my practice space) and developed fully when Madeline and I started rehearsing live for a tour," Hample elaborates. "The other songs all grew out of sounds from this song. The synths on "Grey" are my voice run through my guitar pedals. The compositions of "I want love" and "I don't want it" started with Madeline's voice."
The new track “Mysteries of Nature” speaks for Mouth Breather – politically, socially, passionately, romantically. A track that, like lighting at a dive bar, illuminates crucial features while still leaving many mysteries to be discovered. Mouth Breather released a new music video to accompany the song on YouTube.
“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment."
PILLARS is an American four piece, primarily instrumental, post-rock band from Indianapolis, Indiana. PILLARS has played alongside established instrumental bands such as Pelican, and indie juggernauts, The Appleseed Cast, The Get Up Kids, The World Is A Beautiful Place And I am No Longer Afraid to Die, We Are Scientists and more.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.