Kilmanjaro is a unique and emerging 4-piece from Toronto, performing the densely layered and immersive electronic compositions of Kaan Gunesberk and Ian Culley. Two drummers Luke Graves and Ryan Macdonald weave through interlocking parts to create a bed of driving rhythm that sits underneath lush synth textures and dream-like vocal melodies. Culley and Gunesberk are both active songwriters and musicians outside of Kilmanjaro, with Culley contributing songwriting efforts to Daniel Caesar’s “Get You” and Gunesberk adapting his signature vocals on Drake’s “Right Hand.”
In January 2017, they released their debut LP A Place Unknown To All You Ever Say under NYK records. The album explores a spectrum of lofty and grimy textures amongst Gunesberk’s ethereal vocals, invoking feelings of a nocturnal daydream as he reflects on the different manifestation of his personality and relationships around him.
The band's thoughts on the song:
“This song is the climax point in the album. All the feelings conveyed throughout the album come to this point of realization. There’s a lot of tension in the first half of the song. But it reaches a point where you’re freed from that prison of emotion that’s been holding you for the whole album. There’s this sense of awakening.”
22 (Foreboding) - 02:32
15 (The Masochist) - 03:13
14 (The Idealist) - 03:33
17 (Your Mind Has Eyes That Look Upon You) - 02:31
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
The video for AIDA 's single “Let’s Ride” is now out. "The video was able to come to life because of the amazing crew from La maison baldman. When I first heard the instrumental for this song, I immediately pictured myself riding down the beach. I saw palm trees, funky neon colors and me in a red corvette. This record which is a part of my very first EP entitled “My Retrospective”, is nothing else but a party in musical form. "
Fresh off the heels of having his first release of 2017, “Stuck in the Middle”, land on Spotify’s “New Music Friday” and “U.S. Viral 50” playlists, SIDIZEN KING returns with “Roll the Dice”, an electro-funk jam that tackles the age-old challenge of escaping the “friend-zone.” Filled with clever lines like “I’m just tryna find my lane up in your track meet, you complain we all run games, but you stay chasing the athletes” King’s signature metaphor-savvy writing style compliments the smooth chorus and Ryan Spraker’s (Pell, Daye Jack) gliding production.
The latest emerging talent from the music and cultural hive of Los Angeles, SIDIZEN KING arrives at the cross section of electronic music and hip-hop with an experimental, hybrid sound that is quickly gaining an audience amongst both tastemakers and casual listeners. Amassing two million plays in the short year since he first stepped into the booth, Sid hopes to continue to deliver uncompromised lyricism and storytelling over captivating production.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.