New track One Of Many by Erik Kramer

2017-04-18 05:23:12 UTC


After a decade of hiding in the shadows as a sideman and session musician, Erik Kramer is stepping out with a powerful first collection of songs entitled 'Missed the Boat'. The 27-year old Brooklyn resident's bass playing has been featured on records by Endangered Speeches, Sun Cut Flat, Sonnymoon, The Blind Woods, and more. At a time when information travels so fast, 'Missed the Boat' allows the listener to slow down and take a 33-minute journey through this collection of six potent songs, performed by some of NYC's elite musicians. The music is hard to define as it draws on influences from all over the musical and lyrical spectrum, but has a little something for everyone. The album is due out in late May of 2017. Kramer is also currently the bass player for The Undercover Dream Lovers. He also recorded on a track and video for Sonnymoon, and was co-collaborator/songwriter for Sun Cut Flat. He has played for numerous other projects in the performing world, on some notable bills and festivals.

Genre : rock, psych, soul, pop

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New single Beautifully Human by Naomi Wachira

2017-04-18 05:13:30 UTC


The Kenyan born and now Seattle based artist has received wide spread recognition being featured on NPR. In "Beautifully Human", Wachira highlights issues of human equality, especially when it undermines the divine sacredness of those who are different. Her sophmore album "Songs of Lament" she describes, ‘was born out the many tragic losses we’ve witnessed globally."

Genre : folk

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Bedroom Ghosts by Martyn Jackson

2017-04-17 06:04:06 UTC

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Martyn Jackson is a Neo-Classical/Post-Rock composer and musician from Portishead (Bristol). His previous releases include the 2013 release of "Home", and the score for the 2016 BBC short film "Leonard's Neighbours".

Following up from his last release, "Still", Martyn Jackson has continued with his minimalist approach to composition. The EP "Bedroom Ghosts" comprises of 6 neo-classical compositions, written and recorded over a period of 2 months with minimal production. For fans of Ólafur Arnalds, Nils Frahm, and Ludovico Einaudi. 

Track List

  • Please - 03:43 
  • Be - 04:57 
  • Fleeting Signs Of Life - 04:29 
  • Vacant - 04:18 
  • As Yet Nothing Is Final - 03:37 
  • Bedroom Ghosts - 03:52

Genre : alternative, composer, minimalism, modern, composition, neo-classical, orchestral, piano, solo, instrumental, post-rock

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New single It Got Them by Cosmonauts Day

2017-04-15 04:34:07 UTC

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From the depths of Russian underground scene comes absolutely epic spaced out sludge outfit Cosmonauts Day! Intense guitar riffing, crushing to the ground and below drum stabbing, wicked bass, dreamy solos and an atmoshere of a cold space - their music is a mind journey to the places you've never known.

Track List

It Got Them - 05:23

Genre : metal, post, rock, progressive, shoegaze, sludge

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New album Infinite Paths by Alderaan

2017-04-15 04:07:02 UTC

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Alderaan was founded in 2015 in Graz/Austria. Since then the band played several shows alongside bands like moutain, le_mol and nyos and has just released it's first EP

Track List

  • The Vigilante - 07:49 
  • Even Those Who Prayed - 09:32 
  • Momo - 07:10 
  • Deorbit Myr - 07:01

Genre : experimental, instrumental, post-rock, postmetal

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New album Land of Evergone by Ali Murray

Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.


Review for 52 by Orellana

Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.



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