There is a neighborhood tucked away in the eastern hills of Cincinnati called Silverton where two local hip-hop heavyweights hail. CITOAK and Kyle David may have emerged from separate rap clans as they rose through the proverbial ranks (Watusi Tribe, Five Deez), but fate within the Queen City is always but a sliver away and eventually brought the two lyrical forces together to form the appropriately named Sons of Silverton.
Now officially together as the Sons of Silverton, the duo has created their debut crown jewel, Or Forever Hold Your Peace. The full-length LP expected to drop in May 2017, highlights the personal and lyrical chemistry the two men share as rappers and as friends. Their complimentary styles blend seamlessly over the polished and steely beats of acclaimed New Orleans producer Prospek. Wisdom, reality and though-provoking word play drips from every track on the album as the thumpy kicks and ethereal musical tones of the beats combine to reside in the mind of the listener from the moment it's first heard.
Veteran contributing artists like Cincinnati rapper great Piakhan, jazz pianist Josh Jessen, bassist Jake Hellman (the Quiet Hollers), guitarist Chris Pennington (The Cliftones) and singer Dion Jenkins (Game, Hi-Tek) raise the production value to even higher heights and perfect the intended goal of a renown and cohesive masterpiece.
The first bite of this hip hop delicacy comes in the form of the single “You Know Them As”, where those with a pallet for such exquisite and refined tastes will surely soon salivate for more. Luckily for them and for the rest of us, the full array will be soon served on a silver platter, delighting ears, nodding heads and permanently marking the Sons of Silverton has a landmark in Cincinnati hip hop legend.
Magdalena Bay is a pop duo comprised of Mica Tenenbaum (songwriting and vocals) and Matthew Lewin (songwriting and production). After being in both a prog-rock band and a relationship together throughout high school, the couple went to college in different states, causing and abrupt end to their musical and romantic relationship. Now, after two years apart, Matthew and Mica are reunited under Magdalena Bay, driven by a passion for creating crafty and electrifying pop music.
"Set Me Off" is a shot of pop adrenaline to the heart, a breakup song that's wistful yet energetic. It pokes fun at the inescapable reminiscing that happens after every breakup.
Some things can't be explained… To understand Synopsys you must listen to their music, feel the pictures, capture the quiet and sustain heaviness. Those atmospheres build themselves on a paradox, shadow & light, the infinitely big & the infinitely small, things to say that we cannot say, the balance & the fall. These unavoidable meetings are translated into as captivating as lightning sounds.
synopsys will release their first full length album « Le temps du rêve » on May 17th 2017. The album will come with a full length film to illustrate it. "A whisper in the evening" is their first title on Bandcamp along with a music video for the title « Leviathan »
Started in early 2014 as a spoken word act, Our Wits has evolved throughout the three years it's existed, growing into the band it is today, with changes happening every time a note is played.
Our Wits That Make Us Men is an attempt at blending emo, screamo, ambient, post-rock, and spoken word. It is an experiment in combining natural sounds with electro-acoustic instrumentation. It is a passion project, an attempt at creating dialogue, and a therapy session rolled into one. Most simply, it is honest music, made without regard for genre or any other boundaries that might be placed on it. It is the sound of a group of people following their instincts in an effort to create something that moves them.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.