Out on February 3, Bandit Queen is a folk fabled concept album that began with a 19th-century horse thief named Belle Starr. The title track “Bandit Queen” documents the creative transition from concision, which was central to Sarah Beatty's first album Black Gramophone, towards a supersonic mythological expansion that happens on her new album. There are all kinds of mythologies telling people who they are and who they aren’t. With this song, she wanted to invite the dark parts into the storyline and inspire listeners to be their whole, real, bodacious, outlawed selves.
"Bandit Queen really came into existence in the 19th century through the historical account of an exceptional and flawed woman. When I read about Belle Starr, the fabled bank heist mastermind turned horse thief, she grabbed my attention immediately. And from that original inspiration, I began imagining and contemplating all kinds of stories that rarely get told about women, even in the 21st century. Each of the songs on this record tells 'a different story, and as a collection, they become the spine of a whole other adventure."
Sea Yarns is an unconventional pop/post rock project from Providence, RI.
Sea Yarns - Death of a Giant EP is a modern take on instrumental surf music for places that are not necessarily sunny or sandy. As a fan on old surf music from the early 60's, I wanted to make surf music that is more relevant by todays standards that represent the cold, seasonal, moody, rocky shoreline that I know and grew up next to, rather than the sunny and sandy all the time beaches and surf culture of southern California in the 60's, which I know nothing about.
Recorded in batches over a couple of years, Anna, don't disappear is the 2nd album from Toronto band Red Nightfall and features the continued maturation and morphing of the sound they developed on their 2011 self-titled debut and 2013 EP Late in the Fever.
Post-Rock, Blackgaze band from Wien, Austria, MAIRA, was formed in 2014 to create music, that leads through landscapes – first barren and eerie, and then visually stunning and fascinating. Waking up in a dark area, dreaming, in the middle of the forest, high trees are taking the light… Nothing, nothing but the cold, darkness, loneliness to feel, far away from any civilization. Chirping birds in the distance. Hope that tomorrow will come… Suddenly a sound pierces through the thick leaves, steady, pulsing. Slowly a melody unfolds… it grows. The heart creates new realms, new expectations, until the melody penetrates everything, the battle begins. The morning arises; the ray of the sun’s first light is winning the battle; so the goddess of dawn pierces the thick leaves, warms the heart… like an island, like an island of the blessed… Such, or similar emotions are to be released by music, joyful but thought-provoking. We invite you to follow us on a road full of myths, in the past, when back then as well as today a small ray of light could make a change. A road everyone experiences differently, a journey into yourself and your heart. I’m falling and I am free!
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.