2017-06-19 05:56:40 UTC
Katey Morley's music follows few rules, weaving together singable yet unexpected melodies, and effortlessly fusing her lifelong love of country, folk, jazz and pop music. The forthcoming EP is a collection of songs that swell from deep sources. She is a storyteller, and her words invite the listener to see as well as hear.
“'Good Little Girls' is the second single from Katey Morley’s forthcoming EP "Then". The song showcases the timelessness of Morley’s songwriting, transcending the roots genre by adding in elements of jazz and pop. Sweeping arrangements brings an anthemic and uplifting sensitivity to the song, while every piano hit relays an intense, emotive rawness that carries the song forward into a climactic final crescendo.
Her upcoming release 'Then' was produced by Scott Currie (Gypsy Sol, Emily Haines) and Tom McKay (Joydrop, Sate, Nightcrawlers), and features the talents of some of Canada’s finest musicians: Maury LaFoy (Jann Arden, Barenaked Ladies), Dafydd Hughes (Feist, Jacksoul), Duncan Coutts (Our Lady Peace), Paul Mathew (Matt Barber, Hidden Cameras), Joshua Van Tassel (Doug Paisley, Amelia Curran), Jody Brummell (Shanks, Bella Clava), Louis Simao (Nelly Furtado, Mary Margaret O’Hara) Kevin Neal (Ron Hawkins, The Do Good Assassins) and many more.
country, folk, jazz, pop
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.