Kilmanjaro is a unique and emerging 4-piece from Toronto, performing the densely layered and immersive electronic compositions of Kaan Gunesberk and Ian Culley. Two drummers Luke Graves and Ryan Macdonald weave through interlocking parts to create a bed of driving rhythm that sits underneath lush synth textures and dream-like vocal melodies. Culley and Gunesberk are both active songwriters and musicians outside of Kilmanjaro, with Culley contributing songwriting efforts to Daniel Caesar’s “Get You” and Gunesberk adapting his signature vocals on Drake’s “Right Hand.”
In January 2017, they released their debut LP A Place Unknown To All You Ever Say under NYK records. The album explores a spectrum of lofty and grimy textures amongst Gunesberk’s ethereal vocals, invoking feelings of a nocturnal daydream as he reflects on the different manifestation of his personality and relationships around him.
The band's thoughts on the song:
“This song is the climax point in the album. All the feelings conveyed throughout the album come to this point of realization. There’s a lot of tension in the first half of the song. But it reaches a point where you’re freed from that prison of emotion that’s been holding you for the whole album. There’s this sense of awakening.”
22 (Foreboding) - 02:32
15 (The Masochist) - 03:13
14 (The Idealist) - 03:33
17 (Your Mind Has Eyes That Look Upon You) - 02:31
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver