Campe Candle is two friends from Philadelphia trek through the crossroads of life with their music and a smile. She is Hetepsa. He is Nu Ra. They are Camp Candle. The duo met at W.B Saul High School of Agricultural Sciences, a school with a farm, located right in Philly. Throughout the years, the "farm school" became an unusual and often therapeutic outlet away from the decadence that plagues the city streets. Most city folk don't have the opportunity to do something so outside of themselves and their surroundings. Camp Candle wishes to share that feeling that comes from living beyond the limits of a situation through their music, because not everyone can turn to landscaping and tending to sheep as an outlet.
Camp Candle draws their influences from many places. You can find hints of synth pop, hip hop, indie rock, soul, and many other styles of music. Nu Ra, who does 1/2 of the production starts the instrumentation. When Hetepsa brings her flavor, she moves the music along with her lyrics and voice. When it's all melted together, it can only be described as Camp Candle.
Camp Candle plans on touring, connecting with thousands of people, and creating a genuine relationship with all who enjoy their music.
The cassette player in Nu Ra’s new car has been bumping a lot of 80’s disco and R&B. He infused his recent indulgence into this track, taking his children’s fervor for Michael Jackson into consideration. Hetepsa met him in the same realm with the lyrics and melody to complement. The guitar spoke for her and Hetepsa spoke for them, voicing to parody Nu Ra’s desire to pay homage to that era in the music video.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.