Ordeal & Plight are an instrumental Post-Rock/Doom Metal band from Germany. Formed in 2012 by K and black metal band Black Horizonz guitarist H, Ordeal & Plight began as a project experimenting on combining post-rock with black metal and doom metal elements. Joined by bass guitarist R, the band began recording their first demos in the Dunkelkammer Studios in Kamen, Germany, leading up to their self-titled debut record. Mixed and recorded at Fragment, Dortmund, in 2016, the album Ordeal & Plight was released on Chaosthrone Records on January 13th, 2017.
Three-piece post-rock/doom metal band Ordeal & Plight released their self-titled debut album on Chaosthrone Records. Almost 5 years in the making, the album explores contrasts: uplifting post-rock anthems ("Your Patience") arise from devastating swamps of doom ("Nine Years"), crisp melodies soar over heavy, gloomy chords. Coming from different musical backgrounds such as jazz, folk, or black metal, Ordeal & Plight's members experiment with each of them to create a sound that is both light and clean, heavy and dark, and takes listeners to muse over the boundaries and overlaps of memory and premonition ("Mnemosyne"/"Lethe"), and life and death.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver