Eastern-Washington's Lanterns of Hope creates an evolving indie rock and Americana sound with Celtic influences. Lanterns of Hopes performances emphasize songwriting, structure, and creating an upbeat atmosphere.
After performing with indie bands in ten states on Winter in July Records, Joshua released solo neo-classical project Lessons in the Wind. Later on he started in the Northwest and gathered some of his friends to form three piece Americana band Lanterns of Hope. Currently, Joshua performs solo around the Northwest as Lanterns of Hope and promotes his new EP Harbors.
(Brooklyn, NY) The Hollow Ends is a folk-rock band fronted by Saint Louis-based songwriter Zachary Schwartz. Mixing socially conscious lyrics with anthemic choruses and roots/Americana sounds with punk rock energy, The Hollow Ends deliver a varied but cohesive and compelling musical package. Schwartz moves seamlessly between punchy, driven punk, and gorgeously arranged folk and roots music blanketed in delicate harmonies.
Now, The Hollow Ends are gearing up to release their debut full-length, Bears In Mind, out July 27th via Brave New Records.
In this current musical moment monopolized by bands emptily boasting ‘shoegaze elements’ and peddling 80s throwback dream-pop, The Hollow Ends is a breath of fresh air. To be sure, the basic elements of a Hollow Ends song—soaring vocal harmonies, social conscious lyrics, pounding drums, and distorted hollow-body guitar—are not new. Certainly upbeat, stomp-clap folk has reasserted itself cyclically in popular music over the last few years. The unique offering of The Hollow Ends, however, is a marriage of grit with precision: Schwartz manages to make flawless vocal performances and perfectly executed, thoughtful arrangements come alive with a moving, gritty sincerity communicated to equal effect in songs fast and slow.
This is on full display on Bears In Mind. Through the frantic kick drum in “Close To Flames,” the subdued violin drone and operatic harmonies in “City Lights,” the wild, carnival-like arrangements that punctuate “The Air,” and the minimal instrumentals that provide context for the massive vocal performance in “Ibex Fights,” runs those common threads of grit and precision that make The Hollow Ends such a delight to listen to.
Lora's newest single of her album is "Good Men Don't Hurt You". This single reflects friendly advice in love. As a victim of sexual trauma, Lora is vocal about her support towards other women, as well as the #MeToo campaign. Her work as an artist is to reach out to those who feel alone and those who have been victims themselves. This inspired her to be vocal about her own experience and also led to the single. The song is a playful and poignant ditty with a nod to the current cultural landscape of the #MeToo movement. It tracks the story of a young girl and her dialogue with the song's narrator in what seems like a playful manner, but still revealing honest truths.
Lora Kelley released her new album, self-titled "Lora Kelley", on June 16th exclusively with CD Baby. The album showcases her songwriting ability, with each track being more personal than ever. Lora continually pulls from her life experiences, blending the memories with a rock/country flare. Currently residing in Charlottesville, VA, Lora grew up on the wide open plains of Texas, and was raised on 10,000 Maniacs, Tracy Chapman, Bonnie Raitt, Patty Griffin, Joni Mitchell, The Carpenters, and more contemporary influences - Patty Griffin, Brandi Carlile, Margo Price, Secret Sisters & John Paul White. As a wife and a mother of two small children, she enters the music scene with a gently produced record reflecting her southern roots and experiences as a woman. It deals, playfully and somberly, with both grit and grief and how we synthesize our corporate human experience.
Hold up to the Fire, Echo Nebraska’s sophomore effort sees the Vancouver folk-rock outfit expand on their reputation of combining soul-strung acoustic songs with melodic pop sensibilities. They were determined to write music that was universally accessible and affirming, focusing on introspective themes of love, loss, and perseverance.
The mission to spread positivity to a wider audience stems from heartbreak within the band itself. In September 2016, bassist and founding member, Gunn Park passed away after a battle with cancer. Even though this was a difficult time for the band, they focused on channeling this loss in a positive direction. This is apparent in the album’s first single ‘Follow Me’. As songwriter Devan Christodoulou puts it, “The song is all about life and how it’s okay to rely on each other to get us through the tough times.”
Devan, Gunn, and multi-instrumentalist Andy Schichter started Echo Nebraska in the fall of 2014, with the release of a music video for ‘Hey, Allison’. Within a week of the video premiering, CBC Music added the video to their list of Best New Music Videos. Their debut EP, Send the Ships, would eventually chart across several campus stations, reaching a high of #3 on CJSF.
The band spent the next couple of years touring Send the Ships across Canada, with drummer Mike Lauder, violinist Carly Frey, and bassist Dan Ponich. After showcasing at BreakOut West 2016 in Regina, SK and CMW 2017 in Toronto, ON, Echo Nebraska turned their attention to writing the songs that would eventually make up the new record. The title track, ‘Hold up to the Fire’ was written in honor of Park, weeks after his passing. Though Park never got to perform on Hold up to the Fire, his presence is felt throughout the record.
Echo Nebraska returned to the studio this past winter with producer Jeff Dawson (Daniel Powter, Holly McNarland, The Dudes), who helped hone in on the direction the band was taking with their new collection of songs. Colin Stewart (Dan Mangan, Yukon Blonde, New Pornographers) was brought on to mix the album.
Ultimately, despite the loss of their friend and bandmate, Echo Nebraska pushed their musical direction forward on Hold up to the Fire, resonant with messages of hope, love, and the power of human relationships.
The Sound of Ghosts are an Americana roots musical collective hailing from Los Angeles, California. The five-piece collective of accomplished musicians has crafted a musical experience unlike any other with their unique arrangements and a vast variety of influences. A culmination of traditional front porch Americana, folk-laden melodies, and vintage rock’n’roll, The Sound of Ghosts have succeeded in bringing their own edge to this timeless genre of music.
The Sound of Ghosts are James Orbison (vocals, bass), Anna Orbison (vocals, ukulele), Ernesto Rivas (lead guitar), Phoebe Silva (fiddle) and Jon Sarna (drums). United they have pushed the boundaries of typical Americana and created an ever-evolving sound demonstrating the diversity of each of their own different musical backgrounds. Included in this are elements of classic rock, musical theatre, country and everything in between, Rivas explains “everyone's different perspective is an essential part to the diverse sound we create”.
The Sound of Ghosts formed in memory of the band’s friend Dave Lamb, who passed away too soon from Leukaemia. Lamb headed an acclaimed band ‘Brown Bird’ with his wife that was named NPR’s folk group of the year. James Orbison was touched and inspired by the impact Lamb had made on not only him, but the community around him. James Orbison fell back into music as a mechanism to cope with his grief, where he consequently rediscovered his passion for writing and playing again. They decided to name their band ‘The Sound of Ghosts’ which was the title of Brown Bird’s first album, as a way to honor Lamb and to be a constant reminder of his love for music.
Their upcoming release entitled Delivery and Departure is filled with diverse soundscapes and a multitude of sonic textures. The new music is set to be an immersive listening experience. Anna Orbison explains, “I hope it inspires people to look at the world in a little different way. Notice the things around you… that’s what we write songs about”.
Lead single ‘Train to Nowhere’ is an upbeat folky song with driving guitars, catchy hooks and story-telling lyricism. Showcasing the band’s signature sound of fiddle fueled melodies and soaring harmonies, accompanied by a powerful trumpet solo, it is assured to get listeners up and dancing. "This song is a perfect mix of what we do best”, reveals Anna Orbison. Originally inspired after watching two acclaimed Netflix documentaries entitled ‘Big Easy Express’ and ‘Festival Express', the narrative was built around the ideology of escapism and the importance of adventure. The song symbolizes the journey of self discovery and introspection.
‘Fall Apart’ exemplifies Anna Orbison’s expressive warm vocals with a toe-tapping, rhythmically contagious beat, New Orleans style trumpet, that are all tied together with a dominating bass line. ‘Fall Apart' highlights how people find solace in the familiar feeling of never being good enough. Thematically the single evokes the notion that we as a society need to learn to love ourselves and be content with who we truly are.
The Sound of Ghosts successes to date include opening for artists such as Big Bad Voodoo Daddy, The Sisterhood, and Oingo Boingo. Their music has also been featured in national commercials for major brands such as Yahoo! and Kia. The Sound of Ghosts prides themselves on delivering an engaging, explosive yet intimate live performance, winning ‘best live performance’ at The Roswell Film Festival.
With their growing California following and authentic sound, The Sound of Ghosts are ready for their next musical endeavor with the release of Delivery and Departure due fall 2017.
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.