This haunting and harrowing epic showcases their mix of post rock, post punk and black metal, and has been collaboratively released by Broken World Media, Close Quarters Coalition and Hybrid Records on the 24th February.
The Romance of Crime - 11:38 Your Beautiful Bones - 11:38
Post-Rock, Blackgaze band from Wien, Austria, MAIRA, was formed in 2014 to create music, that leads through landscapes – first barren and eerie, and then visually stunning and fascinating. Waking up in a dark area, dreaming, in the middle of the forest, high trees are taking the light… Nothing, nothing but the cold, darkness, loneliness to feel, far away from any civilization. Chirping birds in the distance. Hope that tomorrow will come… Suddenly a sound pierces through the thick leaves, steady, pulsing. Slowly a melody unfolds… it grows. The heart creates new realms, new expectations, until the melody penetrates everything, the battle begins. The morning arises; the ray of the sun’s first light is winning the battle; so the goddess of dawn pierces the thick leaves, warms the heart… like an island, like an island of the blessed… Such, or similar emotions are to be released by music, joyful but thought-provoking. We invite you to follow us on a road full of myths, in the past, when back then as well as today a small ray of light could make a change. A road everyone experiences differently, a journey into yourself and your heart. I’m falling and I am free!
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver