Blair Coron is a musician and composer residing in Glasgow, Scotland, blending the borders between contemporary classical music, ambience, flourishes of electronics, folk and poetry and with the aid of a string ensemble his primary intention is to create enchanting atmospheres that sets course for introspection.
When he is not performing with the band, he regularly collaborates and composes for those in the other arts with a keen interest in how the arts can be translated between one another. Currently he is scoring the soundtrack to a play by Andrew Edwards (winner of the Roxy Theatre award), which will be performed throughout the whole of the Edinburgh Fringe Festival.
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.