Nostress Netlabel is proud to release " Granchite Yumtruso PT 2", the new digital EP by Massimo Ruberti, an artist from Livorno (Italy) who usually define himself as a "Trafficker of sounds and images".
The album is the second part of the EP "Granchite Yumtruso PT. 1 ", released by Nostress Netlabel exclusively for Netlabel Day 2016 organized by the Chilean netlabel M.I.S.T. and which involves Netlabels from all over the world.
It's an album of warm and elegant sounds, scratching the heart and soul of the listener. A work that runs through wilderness, unexplored lands never trodden by human hands. Through listening we find ourselves in a desert devoid of its characteristic and constant wind, driving on non-existent paths, you suddenly find yourself in an oasis where the perspective changes and even the sand seems to take on the color of the sky and thirst suddenly becomes the ' last of the primary needs. The Sax caressing soft carpets of Synth, nocturnal atmospheres through the time gap that separates the vintage from the traditional electronic sound.
"Granchite Yumtruso PT 2" closes a cycle of sounds that gradually stratify with exotic and colored atmospheres, with distant echoes that rest on long carpets with an antique flavor. The voice of Ada Doria in "Wilderness Falling" and "Cosmic egg traveling blues" seems to come out of an 1870 gramophone as it disperses vibrations in the desert.
The sax of Fabio Leonardi paints well-defined shades of color. Notable orchestral arrangements of Roberto Mangoni in "Cosmic egg traveling blues". The songs were recorded at Dogana D'acqua Studio. The work has been mixed and mastered by Francesco Landucci @ Poderino Recording Studio.
CHANCES have just released their newest single “Rishikesh” .
"We love this song and feel it has a certain power to it. It's about choice and intention. The intention to trust your instinct, and to align action with thought. The song's driving rhythm continually pushes forward, the vocals play off each other in a sort of call and response, the synths spark up a colorful chaos. All of that is built around a loop of voices recorded on iPhone on the banks of the Ganges in the holy city of Rishikesh, India.We came together in Montreal in 2016 to sketch out a few songs, just to see where uninhibited brainstorming might lead us. New rules brought new possibilities, one person’s writer’s block became another’s building block, now we’re happy to be sharing our third single with you. The first singles ‘Shine’ & ‘Leave The Light On’ were released early this year to great notices."
Psychonavigation Records founder, Keith Downey returns with his latest musical offering, Buddha Bowl. Under the guise of No Mask Effect, the prolific Downey has just released his fifth project in under two years through Psychonavigation Records.
The album opens with “Be Good To Us”, a diverse mix of industrial complex beats, electronic and Afro-Caribbean inspired vocal snippets alongside an ear worm of a saxophone groove. On “Siren” the mood shifts with a lush sea of sound drifting from the speakers. A sinister yet tranquil string melody lurks beneath the audio waves, eventually emerging to create a beautiful piece of effortless ambient.
Meanwhile the mysterious bells, chimes and subtle, pulsing rhythm of “Hidden Surprises” takes Downey's long time love of Ambient music to new territory. With chattering electronic beeps and bleeps, celestial vocal samples and an ultrasound inspired bassline that is both intriguing and unexpected.
“Dark Emotion” however, reveals itself to be more enigmatic rather than pessimistic. An eight minute sensatory expedition of obscure samples both organic and electronic, nature sounds, glorious synths spiraling electronic loops are all included in the production. Music for headphones, this track's intricacies can only unfold with repeated listens.
With what is undoubtedly his most accomplished and eclectic collection to date, Buddha Bowl should satisfy long time No Mask Effect fans while exposing his unique sound to many new listeners.
Tuber grew up in a sunny place, south of Greece, on an island called Crete. They were hiding from the sun, jamming in dark studios and playing their music in rock caves. As they moved north, sounds became lighter, since they started to miss the hot ground. The balance came as a result of smash, dark embraced light and improvisation turned into an effortless and instinctive process. Tuber moved their interest into new forms, founding themselves experimenting with compositions that combine mixed styles and sounds from a different ground. A focus is now on rock aesthetic flirting with psychedelic atmosphere and a touch of romantic mood. At this time Tuber live in Serres, forming their feelings and thoughts into music and words, still learning how to leave with reality and reinventing it with love.
French group BLVL’s new track “Internal Heights” expertly transitions between lush moments of patient pysch-pop and effervescent bursts of rock-led spaciousness, particularly at the 02:26 transition
The collective defines their music as "dark and atmospheric indie-rock". Their first video, "Internal Heights", was directed by KENDY TY.
Born in 2014 in the depths of Paris, BLVL generates a dense and atmospheric rock, with urban and contemplative influence tinted with electronic atmospherics. Strongly anchored in the ground, the quartet nevertheless keeps the ears in the stratosphere, oxygenating its ethereal melodies with a pure and euphoric air.
After playing some of the highlight venues and events in Paris underground rock (Divan du Monde, Flèche d’Or, Bus Palladium, International...), BLVL released their first EP, 'Empire Of Nights', in early 2017. "Internal Heights" is a cut from that EP.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.