Un Bosque Noruego was born in the mist, among mountains oscillating with each other. Un Bosque Noruego is from the North and that shows in his music. Noise and melodies invoking mystical beings born in Nature comprise the rest of the project. Haust//El Otoño is an Ode to the fall scenery, its twilights and the swaying leafs slowly falling to the ground. The EP was solely recorded by Daniel Vicente in Asturias (Spain) between the months of August and September.
“Before This There Was Everything”, is Big City Cough's first single from his debut album "Born At Night". "This was the first song written and tracked for the record, and it really set the meditative tone for the whole album. It doesn’t really have a traditional structure - it just keeps going down different paths. Themes are repeated at length to grab you away from distractions and take you on an introspective journey. Once I finished writing “Before This There Was Everything” I knew I had a vibe I could explore for an entire record. The album’s title came from the fact that I’m a night owl. I tend to burn the midnight oil all the time, and the creation of the material kept with that pattern. As it happens I was born at night time, and so was all the music on this record."
Steven K. Smith has more than 20 recording to his name both solo and collaboratively. He was the founding member of the post rock outfit MABOU from Cleveland, Ohio. His also worked with Jason Sloan in the acclaimed dark ambient project DOLMEN. In addition to A Signal In The Static he is a member of SPIRICOM with Columbus, Ohio guitarist Marc Cody. Smith lives outside of Kent, Ohio on a farm with his wife and a menagerie of animals.
A Signal In The Static is a sonic flood whose immense current blurs the line between cleansing and obliterating. The unrelenting, multi-textured wash of synthesizers and heavily processed guitars is propelled by expansive, driving bass and percussion that is equal parts primal and mechanical. Throughout its massive presence, A Future Remembered swells with layers of melody that penetrate its dense landscape and supply a constant tidal force. As the galactic waves surge and dissolve, they purge the earthly terrain in their wake.
Airships on the Water is an instrumental post rock band from Fayetteville, AR, USA, formed by multi-instrumentalist Russel Hensley. Hensley, who plays drums for the math rock band Take Shapes, started the project as a way to experiment with and expand on a backlog of keyboard riffs and drum parts he had written.
Drawing inspiration from the infectious hooks of El Ten Eleven, the emotional power of Explosions in the Sky, and the rhythmic complexity of Japanese post rockers Toe, Hensley started writing and overdubbing new parts to flesh out the sound of his existing arrangements. He carefully layered beautiful keyboard melodies, bass guitar hooks, intricate drum patterns, and rich synth textures onto these skeletal arrangements, shaping them into catchy instrumental post rock songs. Bit by bit, a chilled out sound with subtle math rock influences emerged, and Beneath a Thousand Branches was born.
Serene spellbinding worlds come together on the glistening waves of Shall Remain Nameless’s self-titled effort. Quite pastoral in its efforts the way the many layers converge into a singular whole feels deeply satisfying. Field recordings permeate the entirety of the album for the way they seem to simply immerse the listener in such a wild jungle of recordings feels positively liberating.
Drones remain equally important as Shall Remain Nameless touches upon some of Stars of the Lid’s more elegant, less-feedback laden later works. Classical helps to frame every piece for the songs resembles suites in a greater symphony.
“Forest Fly” carries the listener to a tranquil, exotic rain forest, inhabited by tropical wildlife. The inclusion of an enigmatically soothing sitar suggests that we are perhaps accompanied by an imaginary, mysteriously wise sherpa as our guide, giving the track a relaxed, melodic warmth.
Seamlessly shifting to the celestially- inspired “Sunshine In a Blackout”, subtle changes in this ambient orchestral production are somehow simultaneously glacial and emotionally uplifting.
Meanwhile ,“Uneven Terrain Pt 1” as its title suggests, leads the audience down a murky musical path as sinister whispers from dark forces fill the air in this curiously lurid nightmare. The resulting creation is dark ambience at its best.
The twisted nostalgia of “Coney Island Sideshow” presents an electronically intricate, if unsettling centerpiece for the album. The contrast of hypnotic sonic chattering and vocal snippets of family fun at the fair ground requires repeat listens to appreciate its many nuances.
As the album comes to a close “The Fear” reintroduces earlier themes; wide open musical landscapes, floating ambient melodies and electronica are all enhanced by selective samples of the human voice.
The artists influences : The Future Sound Of London,The Orb, Ambient music from the early 90's.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’