Campe Candle is two friends from Philadelphia trek through the crossroads of life with their music and a smile. She is Hetepsa. He is Nu Ra. They are Camp Candle. The duo met at W.B Saul High School of Agricultural Sciences, a school with a farm, located right in Philly. Throughout the years, the "farm school" became an unusual and often therapeutic outlet away from the decadence that plagues the city streets. Most city folk don't have the opportunity to do something so outside of themselves and their surroundings. Camp Candle wishes to share that feeling that comes from living beyond the limits of a situation through their music, because not everyone can turn to landscaping and tending to sheep as an outlet.
Camp Candle draws their influences from many places. You can find hints of synth pop, hip hop, indie rock, soul, and many other styles of music. Nu Ra, who does 1/2 of the production starts the instrumentation. When Hetepsa brings her flavor, she moves the music along with her lyrics and voice. When it's all melted together, it can only be described as Camp Candle.
Camp Candle plans on touring, connecting with thousands of people, and creating a genuine relationship with all who enjoy their music.
The cassette player in Nu Ra’s new car has been bumping a lot of 80’s disco and R&B. He infused his recent indulgence into this track, taking his children’s fervor for Michael Jackson into consideration. Hetepsa met him in the same realm with the lyrics and melody to complement. The guitar spoke for her and Hetepsa spoke for them, voicing to parody Nu Ra’s desire to pay homage to that era in the music video.
Raised in Edmonton, Canada, Wilroy takes R&B as his musical starting point. He’s now based in Liverpool, and cites influences ranging from hip-hop to electronic music and jazz. Recently selected by Gilles Peterson’s Brownswood Music talent discovery initiative Future Bubblers, and played on BBC Radio 1Xtra, Worldwide FM & Bandcamp Weekly, 2018 looks to be a promising year for the producer.
Too Dark To See The Green, Wilroy’s debut EP serves as a cathartic journey through the arc of heartache, as told through the ghosts of 70’s soul men. His music paints grand, maximalist sonics: tracks change shape and mutate as they go, akin to the evolution of a dream. The EP’s 5 tracks wring out every last drop; from the opening nightmarish strings, and the dungeon-low dirge of the title track, to the liberated, gospel highs of Ascension.
Bobby Acres aka ONE SON is originally from a small town in Alabama called Lanett, after serving four years in the Army he appeared at the Famous Apollo Theatre where he received a standing ovation. He has released five projects: A Poor Man Testimony, The Voice: From Bama 2 Baghdad, Microwave Age, Canvas and BRILLIANT.
He has been featured on allhiphop.com, bet.com, mtv.com, thisis50.com, vh1.com, BigFM in Europe, French TV in Paris, Jam Agenda in Uganda Africa, and have had placements on the show Giada At Home, Mary Mary Reality show, NASCAR show Trackside, the Tia and Tamera Reality show and Devils Ride. He also has been in three indie films: Riff, Dirty South, and Almost Time.
As a student, Ally studied opera, sang in a gospel choir and in the Toronto Youth Mendelssohn Choir and began writing her own songs. Before long she took the advice of friends to join them in Los Angeles to get to know and work with other musicians. She found some modest success writing for other artists while working part time to make ends meet.
In 2015, a producer from France asked Ally if she could submit one of her songs for a special project he was working on. Her song, Heartbeat, was selected. Once released, it quickly went to #1 on the Billboard and Apple ITunes in France, sitting at the top of the charts in France for 4 weeks straight. This success has emboldened Ally to focus on her own artistry as SEREDA.
Sereda's chilled out electro-pop sound extends the genre with hip-hop and classic rock influences that create an edgier, richer whole. Sereda has been making waves on the international scene, with her single "Heartbeat" reaching #1 on Billboard in France. Give “I Got You” a listen in anticipation of an album coming out in December this year!
Major Love was conceived in the lamplight of London’s Bedroom Bar, in the late spring of 2015. Canadian recording artists Colleen Brown and Scenic Route To Alaska each had wrapped their first tours in Germany and the UK, promoting separate album releases. They found themselves on the same dimly lit stage in Shoreditch, 7000 kms from their home-town of Edmonton, bonding over an appreciation of vintage Harmony guitars, singalong pop/rock anthems and an affinity for the spacious, soulful recordings released on the Stax and Motown labels in the 1960’s.
Their debut album was tracked live off the floor a month later, during a summer heatwave in Edmonton’s True North Studios with Jesse Northey (Jesse and the Dandelions) on faders and keys. Contributions from multi-instrumentalist Elijah Abrams followed, with mixes and co-production by Toronto-based pedal steel guru Aaron Goldstein, along with Kenneth Meehan (Daniel Romano) and the singalong single ‘So Good’ mixed by Brooklyn’s prodigious hit-makers Gus van Go and Werner F.
Two songs from this album have already been lauded for their song-craft. ‘Motherland’ - written essentially as a love letter to Alberta - won a province wide songwriting contest in 2015 through the ATB All Albertan Songwriting Competition, to the tune of $10,000; and the powerful ballad ‘I Love All Of You’ was a finalist in the Unsigned Only International Songwriting Competition for 2017.
These songs thrive at the intersection between Brown’s resonant vocal expression and SRTA’s spirited swagger. It is music to move body and soul.
"Our new single “Tear It Down” explores the question - is there beauty in destruction? The inspiration came after a senior’s residence in Edmonton suffered two explosions in 2011. Two people died because of the explosions - a murder/suicide. It happened across the street from Colleen (our singer) and it took about 3 years until the building finally underwent renewal, during which she had the privilege of watching it being gutted, rebuilt, and furnished. She wrote the song on a sunny spring day as she contemplated the strange disparity between the tradesmen’s jobs and her work as a musician. The song comes from our self titled debut LP which we’ll be releasing early next year. We tracked the album live off the floor in Edmonton during a summer heatwave in 2015 (with a few overdubs in Toronto throughout 2016/17) and are excited to be able to share it with you all now."
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.