The New album "beasts in binary city" by Mandala eyes is an all improvised electric guitar + looper, underlaid by also improvised electronic beats. The story is about wildness struggling to exist in a reductive environment, a reflection of his internally difficult time living in a city in middle America over the past year.
memory of dying flowers - 01:22
my love wanted a skyscraper of me, an electric nightlife of me, a smog city of me - 12:03
bent truth - 05:41
they erased the name for what I am - 02:47
dysphoric descent - 04:02
human skull packed with explosives - 04:20
hide & seek - 01:56
?uestion engine - 03:34
in my debris, the first breath of pine trees - 05:08
Laurent Meunier is a french composer/producer, that produced various musical projects like Rusty Rope (folk song electronica), Ballast (post rock ambient), Sign of sight ( electro music). "Unconscious" is the new album from his latest project EASE THE SOUL (Electro experimental) . It's an 8 tracks album made with analog synthesizers, beatboxes and electric guitar. Every track of the project comes along with a video, mixing original shots, extracts from movies or documentaries (fallen in the domain public). It is 8 electronic improvisations which look after to heal the soul through an introspective journey. The tracks follow the stages of a shaman journey : entrance to the world of bottom to the awakening. "To make a shamanic journeying , is needed a starting point, it's necessary to have a hole, by which we have to access to the World from below, to connect to the earth and to the universe. "
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
Reid Karris is a multi-instrumentalist, composer, sound enthusiast and improviser hailing from Chicago, Illinois trying very hard to get all the music stuck in his head out for all the world to hear. After spending years as an odd guitarist trying to fit in with the world of rock music, Reid shifted his focus towards improvisation, noise, drone and avant-garde. His primary instruments for doing so are prepared guitar and drum kit sent through electronics. With prepared guitars, he performs solo as well as in various groups including Set Self on Fire, HKM Guitar Trio, The Chicago Scratch Orchesta and Coffin Screws; the later consisting of himself on prepared guitars along with a revolving rhythm section usually consisting of a drummer and bassist who do not regularly play together. He also plays drums in the experimental duo Step Slow and works with an array of found metal percussion. In studio settings, he either records albums of improvised music employing himself on prepared guitars or conceptual abstract compositions. He has released music on Pan Y Rosas Discos, Lungbasket Recordings and Lurker Bias.
Galaxxu's music can best be summed up with this Sonny Sharrock quote: "I’ve been trying to find a way for the terror and the beauty to live together in one song. I know it’s possible." Galaxxu draws inspiration from Chicago's incredible free jazz and indie scenes of the past and present, European free improv, and electronic noise to create spontaneous compositions that range from quiet, delicate serenity to an abrasive, pedal-to-the-floor assault.
Galaxxu is currently finishing mixing for several upcoming releases and planning a couple of tours in summer and fall of 2017.
Chicago’s Galaxxu is excited to announce a super-limited edition seven inch lathe cut, featuring artwork by Alex Dycylyxyvyi. The two sides reflect the terror and the beauty the quartet tries to capture in their free improvisations. Side A starts off innocently enough, until devolving into a mess of disjointed interplay between a sax crying out, and a guitar that is seemingly being torn apart at the atomic level. Suddenly, the drums offer a rallying cry and Galaxxu breaks out into a wall of furious noise. Side B offers a glimpse into the more subdued side of Galaxxu. At times even soulful, albeit still operating within the confines of their chaotic take on free improvisation, it ends things in a dreamy sequence as if the Galaxxians are surveying the damage they wrought on Side A.
A Tisket, A Trifle, A Flittering Flutter [Stereo Edit] - 05:22 info
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.