2016-10-26 05:15:19 UTC
With a Big Moon support slot this autumn and SXSW in the bag, Trudy and the Romance’s scurvy ascent has been as pestilent as the plague, infecting hearts and minds everywhere. Labelled ‘50s mutant pop’ by assorted members of the press, their previous single ‘He Sings’ sallied lecherously up to number 7 on the UK Spotify viral charts. Their freakbeat flavoured skiffle clearly strikes a chord with legions of mutant fans everywhere and is a broken bottle to the face of blind conformity. With more material in the works and more gigging before the year is out, whatever Trudy and the Romance are cooking up will be a drunken witch’s brew of lovesick sea shanties and rabble rousing ditties. To all those who thought the age of romance in music is long dead, Trudy and the Romance stand defiant as mutated specimens of a bygone era.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
The Sirens Sound