"The idea of "Whirl Music" was to capture a blur of past moments in one's emotional life," Jasper X, the New Jersey-based project frontman, explains. "Our memories are often blurred snapshots of multiple moments that we think of from time to time, like being a whirl of thoughts. The initial chord progression is the foundation of the song along with the driving kick drum on the downbeat. The idea was to create modest builds and colors around that foundation and what came out was a positive sonic vibe that crescendos into the instrumental outro." The track is off his new full-length, 'Aegean Lanes'
Singer/songwriter Jasper X has been writing and recording records for the past 15 years. He began his music career playing small clubs in NYC, bouncing around from one project to the next. It would take a while for Jasper to finally organize his musical thoughts and put a dedicated effort into a studio recording. After writing indie-rock oriented pieces, such as the 2011 release 'Cameras and Paragons', he chose to let his current influences at the time (Wilco, Elliot Smith, Ryan Adams) take him in a different direction. His latest release, 'Aegean Lanes', enters the alt-folk/singer-songwriter genre with personal, acoustic-based songs having unique chord progressions (Only Patterns, Fortunes) and pulsating rhythms (Whirl Music, Alpha Rays).
Party like a Fireman" is a nonstop sonic journey of madness spanning just over an hour, with an overall beat driven, industrial, and darker ambient tone than some of our previous releases. That's not to say it's all doom and gloom. There are serval upbeat and comical moments, but they all eventually veer into an uncomfortable waking dream state.
Macaroni Pudding - 04:02 Moon Garden - 02:28 Madman's Carriage Ride - 02:06 Hidden Caverns - 03:50 Atmospheric Reentry - 02:05 S T A N Stan - 03:55 Let's All Stan - 02:33 Everybody Stan - 04:01 Stan the Dancing Man - 07:27 Residual Babble - 00:58 Brown Mass - 03:48 There's Always Something in the Way - 04:14 Forever a Ghost - 03:36 Leather Slug - 04:19 Death's Sweet Grip - 02:58 Cataract Jack - 02:47 Nobody Knows what it's like to Eat My Dick (Tonight) - 08:24
"Galaxxu's music can best be summed up with this Sonny Sharrock quote: "I’ve been trying to find a way for the terror and the beauty to live together in one song. I know it’s possible."" Galaxxu draws inspiration from Chicago's incredible free jazz and indie scenes of the past and present, European free improv, and electronic noise to create spontaneous compositions that range from quiet, delicate serenity to an abrasive, pedal-to-the-floor assault.
Alexander Adams - percussion, Corey Lyons - guitar, Zachary Mark - bass, and Marc Williams - sax & effects."
'Bureaucracy 5-8 YOLD 3182' was a 2 song, 20 minute tape that was made for a midwest tour in August 2016. The first side/track, A Tisket, A Trifle, A Flittering Flutter gives us a glimpse into the more subdued side of Galaxxu. At times yearning a soulful, but still operating within the realm of their improvised chaos. Side 2 ("Match This Step, Then Repeat"), gives us more of the full on assault Galaxxu is typically known for before coming to a conclusion in a passage of dreamy, fluttering interactions from the band.
A Tisket, A Trifle, A Flittering Flutter - 09:49 Match This Step, Then Repeat - 09:53
Shock of Daylight is the music of Scottish-born-London-based multi-instrumentalist Danny Currie, whose work as a guitarist and producer, in various bands, has been featured across several web and digital media outlets over recent years, including BBC 6 Music.
Since 2013, Shock of Daylight has been weaving organic and electric noise, stripped-back motorik percussion and processed samples into looping, minimalist structures, influenced as much by modern classical greats like Philip Glass and Steve Reich, as by contemporary and early electronica.
Verschollene EP is Shock of Daylight’s 4th and most ambitious release. The tracks stretch longer, spanning more genres than before, with minimal techno, ambient noise, and modern classical influences standing out.
Despite the complex blend of styles the tracks themselves are simple and focused, with often a single figure or concept spun out to its conclusion, clearly drawing inspiration from the ambient work of artists like Brian Eno and William Basinski, as well as proto-electro/krautrockers like Cluster, Harmonia and Neu!
Poet, painter, and San Francisco based multi-instrumentalist artist Chris Woodyard released a minimalist piano intro to a new ethereal post-rock album that will be released next year in New York City. The new songs with be translated from a series of paintings thats he's done in a 6 week time period as a form of art therapy. A story without words that interpret the collection of emotions, places and experiences that he's had the pleasure to endure. After releasing 'Glass House", an experimental post-rock EP recorded in Boulder, CO last year ; The sounds in this next album will be songs translated from a series of paintings he's done. The first song is a prelude to the LP which will be released next year.