The Tambourine Girls are a four-piece band from Sydney, Australia. Formed by ex-Deep Sea Arcade guitarist Simon Relf, the band released their debut EP 'The End of Time' in 2014, and followed up with their debut, self-titled LP in 2016. Frontman Simon Relf has toured extensively as a solo act supporting Dustin Tebbutt and Megan Washington, and the band are set to release their second LP in early 2018. "You Don't See Me" is the first single from that second LP. The album is the first ever to be recorded at Golden Retriever Studios in Sydney, run by Simon Berckelman (The Philadelphia Grand Jury) and was engineered by Tim Whitten (The Go Betweens, Lupa J, The Church, Augie March) and mixed by Nick Franklin (Australia, Richard In Your Mind, Matt Corby). "This track is my take on Bob Dylan's 'Talkin World War III Blues.' There's a line in there that could save the world if it were considered more often: "I don't blame him too much though he didn't know me," explains Simon. The song has a driving, robotic rhythm contrasted with sweeping synth-like guitars and a loose, almost conversational vocal melody. The tension is released in the final verse with the bittersweet resolution: "I think you loved me completely in darkness, so that's where I'll be.""You Don't See Me" was released through MGM on 11/17. with an intimate NSW launch gig at Sneaky Possum in Chippendale on 11/23.
The New album "beasts in binary city" by Mandala eyes is an all improvised electric guitar + looper, underlaid by also improvised electronic beats. The story is about wildness struggling to exist in a reductive environment, a reflection of his internally difficult time living in a city in middle America over the past year.
memory of dying flowers - 01:22
my love wanted a skyscraper of me, an electric nightlife of me, a smog city of me - 12:03
bent truth - 05:41
they erased the name for what I am - 02:47
dysphoric descent - 04:02
human skull packed with explosives - 04:20
hide & seek - 01:56
?uestion engine - 03:34
in my debris, the first breath of pine trees - 05:08
The Laytcomers are a collective of ambitious losers, trapped inside a small Bay Area garage with a 4-track. They produce a mixture of noise rock, post-punk and even some elements of twee and Kiwi underground, all showcased on their new track "Population Grave"
"The first time we tried to come up with songs was when me (Ilya) and two of our other friends, who were original members of The Laytcomers, came to Cyes' place in Davis, where he went to college," Ilya explains. "I was hoping we were going to write some music, but at that time no one was really motivated to do anything, until I actually sat down with a cheap microphone myself and played/sang (pretty terribly), forcing everyone to contribute. Most of the sounds from that time were almost unlistenable. For drums we used a Guitar Hero drum set, which we used to write some of our first songs (Coldfront, Coppertone). There weren't a clear idea who does what, I was switching between bass and acoustic guitar, both of which I could barely even play at the time."
"We came a long way in terms of musical development and taste. In recent years our project The Laytcomers started to gain its own identity especially after we got two new members from Craigslist (Sam on saxophone and John on drums). We still walk a line between catchy indie-rock, based on short catchy bass lines and guitar riffs, psychedelic sounds and ear-bleeding noise rock with amp feedback and all kinds of noises."
"Our title song Population Grave wasn't coming along for awhile. We recorded original drum/vocal/guitar version almost five years ago. Something wasn't working out in it until I actually rethought the bassline from the scratch. It turned into a catchy angular post-punk thingy with roots in the no wave and New Zealand noise-rock."
Formed by Chris Anderson, with Chris Minor, Richard Storer & Stuart Longden. Firesuite are an ongoing musical endeavour, born out of the desire to create something loud & hugely affecting. Combining polar opposite dynamics, from total white noise, to moments of striking beauty, Firesuite are as complex a unit as you are likely to find out.
"Firesuite was started as a tribute to my little brother, Daniel. That's him on the front cover of You're An Ocean Deep, My Brother. That album was written as a way to reach him somehow. Much of the material on it was written in the immediate aftermath of his death. Outlive Your Body is still very much infused with his memory, but was written more as a way to make him proud.
Daniel introduced me to so many bands, bands I love to this day and were integral to my musical adolescence. He brought home Jeff Buckley, Deftones and Breeders albums all within a few weeks and that was that. Mission complete. I was obsessed.
I have always approached everything we have done as a band with a sense of fatalism, like it will be the very last thing we do. On this occasion, that turned out to be a self fulfilling prophecy. It became clear recording the album, high up in the hills of Sheffield, that this would be the last thing we would ever complete as a band. Given that, it became that much more important that I put everything I have into it. We made the album during a number of sessions at Old Pig Farm spread across a number of years. The project began without any clear direction, we thought we may record a couple of EP's perhaps. As time went on though, it became clear an album was forming. Slowly.
So this is the record. It was pieced together with John Sephton, who became a friend and ally throughout the process. He guided it to completion, along with a few helping hands along the way. We recruited Dave Sanderson to assist in mixing several songs, in no small part due to his incredible work on the 65 DAYS OF STATIC discography. Caroline Cawley came in to add vocals to Little Sacrifices, and Matthew Pronger added layers of brass to swell the end of Harbour. Lucy Revis and Chris Endcliffe lifted Edge Of The Earth and Lights into the upper atmosphere.
The songs are about lots of things. They are about wanting to escape (Harbour), about mine and Daniel's experiences growing up (Eulogy), about close friends (SJVL). They are also about the band coming to an end. Lights was intended to be the soundtrack to this.
I am so proud of this record. We have worked so hard to build it into the thing it is. I am very happy to share it with you, and would love if you would share it with others. I am heartbroken about the end, but if something has been worth doing, then this should be how it feels when it ends. "
The Retroaction brings the gritty groove of the 60s and 70s to the modern day. In 2016 the band won the "Best new group award" at the Hamilton Music awards. Keith Mosfet and Thomas Duxbury originally started playing together as a backing band for a local songwriter with Thomas on Bass but eventually decided to form their own band. Soon after Charles Kostash joined on bass along with Raul Gutierrez on drums. Collectively the band is inspired by groups such as The Kinks, The Rolling Stones, The Beatles, The Who, along with newer groups such as Arctic Monkeys, The Orwells, Black Keys, Alvvays, and The White Stripes.
"The video itself is a fun take on the exploration of our record collection. While the players hand is examining some of the classic and humorous records, the lyrics for the single are displayed along with band themselves. The lyrics for the song were written about the idea of loving a stranger, the brief moment of imaging life with them. The inspiration came when Keith had a large crush on a neighbor, the opportunity to speak with her never came up, but there was an energy, looks, and an obvious attraction. Once on a stormy night he witnessed her running from her car in their shared parking lot to her apartment below. "Tonight I seen you running, running in the rain. Thats how I know theirs something, I hope to see you again. But ill just keep on waitin', waiting for you. My heart is slowing breaking, I guess i'm drinking for two.""
GroundBurst is an instrumental rock trio whose sound strikes for the band’s kaleidoscopic approach and wide-open mindset. The band consists of Phil, Si, and Erik, respectively on guitars, bass & keys, and drums. These three talented musicians set out to create a lush, diverse and textural musical backdrop, borrowing from influences as diverse as electronic music, psychedelia, rock and even jazz with a minimalistic flair. Their recent release, “Triad” is an EP featuring 3 original compositions, as the title of the release might lead you to guess!
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.