Pacific Loon is an artistic project by Francesco Busiello born in 2013.
First of all he’s a member/composer of Starframes, later he focused on cinematics, field recording and visuals. His first ep “Growth”, was born after an accidental meeting between himself and Leana Pizzoferrato, music inspired by her images to analyze aspects such as the rise and fall of humain being. In September 2016 he was selected to compose a soundtrack for Artemisia Gentileschi masterpiece “Giuditta che decapita Oloferne” at Museo di Capodimonte in Naples. He had been always fascinated by the city, so then he decided to start doin’ mini concept records.
"It was darker, then lighter, till it was all drowned in splendor" it's a concept record based in Naples, it goes through esoteric and hidden places of my hometown. Every places got his own music composition, supported by minimal static videos; I did also experience some rough field recording, to make it part of music composition: I wanted to make a "low-fi" record, I didn't look for perfect sounding, cause it's reflects how the city lives. I've been always fascinated by light in Naples, warmer and delicate in spring, iced and cruel in winter, so that's where the title comes from. EP starts with big reverb and dark mood of "Piscina Mirabilis", a big cistern built by Romans, to end with "Santa Maria Della Fede(to wane without disparagement)" set in an old cemetery, one of the most brightest day of my life."
Piscina Mirabilis - 02:52 info
Oh, Vergilius - 03:12 info
Botanique - 04:45 info
San Felice - 04:26 info
Santa Maria Della Fede (to wane without disparagement) - 03:19 info
Ontario based electro project DAVIDS premiere “Crown of Burrs. The song propels forward with a combination of industrial grooves and rock riffs, while the vocals arrive from a new wave nightmare. ‘Crown of Burrs’ is a song that is perpetually building and it races to an elevated height.
"The inspiration for “Crown of Burrs” came after a long night of indigestion, caused by a Reuben sandwich of questionable freshness that I’d purchased at a roadside kiosk just outside of Birtle, Manitoba in August 1998. At one point I was vomiting with such ferocity out of the back of the camper that I heard an audible POP! in my spine. I lost consciousness. When I finally came to the bass line for the song was already in my mind, and it looped there for the remainder of the trip. Once I’d gotten home and dropped off the last of the scout troop I barricaded myself in the makeshift studio I’d cobbled together in a dumpster behind the local Giant Tiger. 19 years later I emerged, finished track in hand, with a pet rat that I’d taught to speak. His name is Brad and we are quite happy. Enjoy the song. Thank you. "
Damase is the solo endeavor of Jeff Bye, one half of Manican Dream, and co-founder of Manican Dream Records.
Utilizing creative sound design techniques and a number of analog and modular synths, Damase takes the listener on a journey through the ethereal.
He seamlessly weaves elements of progressive house, techno, soul and ambient electronica, transporting audiences to places far beyond the dance floor..
Constantly evolving and pushing both genre and technological boundaries, Damase is poised to release his debut album "True Color" on vinyl in early 2017
"True Color" is the debut album of Damase, one half of Manican Dream. Recorded with a Roland Jupiter 6 synth, a modular eurorack system, and a variety of analogue outboard gear, Damase has crafted a lush, electronic landscape, grounded with a deep sense of groove.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.