Pacific Loon is an artistic project by Francesco Busiello born in 2013.
First of all he’s a member/composer of Starframes, later he focused on cinematics, field recording and visuals. His first ep “Growth”, was born after an accidental meeting between himself and Leana Pizzoferrato, music inspired by her images to analyze aspects such as the rise and fall of humain being. In September 2016 he was selected to compose a soundtrack for Artemisia Gentileschi masterpiece “Giuditta che decapita Oloferne” at Museo di Capodimonte in Naples. He had been always fascinated by the city, so then he decided to start doin’ mini concept records.
"It was darker, then lighter, till it was all drowned in splendor" it's a concept record based in Naples, it goes through esoteric and hidden places of my hometown. Every places got his own music composition, supported by minimal static videos; I did also experience some rough field recording, to make it part of music composition: I wanted to make a "low-fi" record, I didn't look for perfect sounding, cause it's reflects how the city lives. I've been always fascinated by light in Naples, warmer and delicate in spring, iced and cruel in winter, so that's where the title comes from. EP starts with big reverb and dark mood of "Piscina Mirabilis", a big cistern built by Romans, to end with "Santa Maria Della Fede(to wane without disparagement)" set in an old cemetery, one of the most brightest day of my life."
Piscina Mirabilis - 02:52 info
Oh, Vergilius - 03:12 info
Botanique - 04:45 info
San Felice - 04:26 info
Santa Maria Della Fede (to wane without disparagement) - 03:19 info
Ontario based electro project DAVIDS premiere “Crown of Burrs. The song propels forward with a combination of industrial grooves and rock riffs, while the vocals arrive from a new wave nightmare. ‘Crown of Burrs’ is a song that is perpetually building and it races to an elevated height.
"The inspiration for “Crown of Burrs” came after a long night of indigestion, caused by a Reuben sandwich of questionable freshness that I’d purchased at a roadside kiosk just outside of Birtle, Manitoba in August 1998. At one point I was vomiting with such ferocity out of the back of the camper that I heard an audible POP! in my spine. I lost consciousness. When I finally came to the bass line for the song was already in my mind, and it looped there for the remainder of the trip. Once I’d gotten home and dropped off the last of the scout troop I barricaded myself in the makeshift studio I’d cobbled together in a dumpster behind the local Giant Tiger. 19 years later I emerged, finished track in hand, with a pet rat that I’d taught to speak. His name is Brad and we are quite happy. Enjoy the song. Thank you. "
Damase is the solo endeavor of Jeff Bye, one half of Manican Dream, and co-founder of Manican Dream Records.
Utilizing creative sound design techniques and a number of analog and modular synths, Damase takes the listener on a journey through the ethereal.
He seamlessly weaves elements of progressive house, techno, soul and ambient electronica, transporting audiences to places far beyond the dance floor..
Constantly evolving and pushing both genre and technological boundaries, Damase is poised to release his debut album "True Color" on vinyl in early 2017
"True Color" is the debut album of Damase, one half of Manican Dream. Recorded with a Roland Jupiter 6 synth, a modular eurorack system, and a variety of analogue outboard gear, Damase has crafted a lush, electronic landscape, grounded with a deep sense of groove.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’